Mamoru Oshii’s animated feature The Sky Crawlers (Sony) is a more somber and contemplative film than most people would expect from the director of the Ghost in the Shell films. His story of a perpetual war fought by corporate entities with private air forces of eternally young fighter pilots in an alternate reality Europe (adapted from a novel by Hiroshi Mori) is a work of stillness and quiet, a world where these orphaned kildren arrive on eerily deserted air force bases and live an abstract existence between missions. The mix of traditional cel animation (for the characters) and 3D CGI (for the planes and the backgrounds) gives it a surreal, hypnotic quality broken only by the dynamic scenes of battle, which Oshii shoots with a visual intensity that shatters the meditative peace of their existence below. It’s an unusual animated feature and that’s part of what I like about this film and its sensibility, so different from American animated films. I have always appreciated Oshii’s talent for creating pensive animation and if you like this, you should seek out his Patlabor features, which paces the giant robot action with contemplative scenes of characters simply thinking or resting.
Kiefer Sutherland’s Jack Bauer has had some bad days but the twenty four hours of 24: Season 7 (Fox) may be his worst yet: He starts the morning investigate by a congressional committee for torture and ends up facing domestic terrorists while slowly dying from a biological attack. In between he helps the FBI, goes rogue with a Scooby Gang of former CTU agents (including Carlos Bernard as Tony Almeida and Mary Lynn Rajskub as fan favorite Chloe O’Brian) working outside the intelligence community, battles a truly audacious assault on the White House and takes on the show’s equivalent of Blackwater as it engages in domestic terrorism. It’s still full of the crazed twists, shady endgames and wild card intrigues while blithely making the case for torture as a legitimate intelligence tool (easily the show’s greatest fiction). But if can roll with all of that, it’s as good as the series has ever been. Jon Voight and Will Patton make fine guest villains, Cherry Jones plays the president this time around, Janeane Garofalo gets to play the impotent liberal voice decrying the trampling of American civil rights, and even the return of his daughter (Elisha Cuthbert) is mostly bearable. The strange history of the show skipping a season due to the writer’s strike is covered in the 15-minute featurette 24-7: The Untold Story, which chronicles the difficult development of the season’s storyline without once mentioning Sutherland’s run-in with the law (which might have ended the season even of the writer’s strike hadn’t).
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