[Note - due to a glitch, some of the reviews for the MSN DVD column this week may not yet be up when you click on the links.]
Michael Powell and Emerich Pressburger’s A Matter of Life and Death (originally released in the U.S. as Stairway to Heaven) is as gorgeous and romantic as films come. The film opens with a celestial prologue and narration providing a sense of cosmic comfort of someone watching over it all, of some divine authority in charge. It plays like the British answer to the opening of It’s a Wonderful Life, which came out the same year (is it coincidence that the post-war era inspired such a need for heavenly affirmation?), but immediately swoops down from the majestic calm of the stars into the terror of World War II and a bomber pilot giving his farewell to life over the wireless as his plane burns furiously around him and he prepares to make a blind leap without a parachute. Powell gives the scene terrible beauty – the wind whips the cabin, the fire flickers around his face, the clouds have a texture so palpable they look like you could step out into the sky and walk to heaven on them – and an emotional power to match.
Unabashedly romantic, beautifully textured in warm color and cool monochrome, and brilliantly poised on the edge of fantasy and reality, Michael Powell’s 1946 A Matter of Life and Death is the first essential DVD release of 2009…. It’s a perfect romantic fantasy and a stunning creative achievement (“Ah! We are so starved for Technicolor up there,” quips the conductor as the gray monochrome of the afterlife blooms into the almost surreal hues of Earthly color), powered by the passion for life and love.
Also new this week in the TV section is Battlestar Galactica: Season 4.0, which features the first ten episodes of the show’s final season (the concluding episodes begin this month on the Sci-Fi Channel) plus the previously released “prequel” film Battlestar Galactica: Razor. The original Battlestar Galactica of the seventies was a simple show of heroic humans fleeing the evil Cylons, robots built to destroy the human race. That simplicity was tossed through the airlock for this gritty, rough and ready revision, but it flies into unexpected territory in the first ten episodes of the fourth and final season. One-time villain Baltar (James Callis) becomes a messiah, or at the very least a holy prophet. Our soft-speaking President (Mary McDonnell) resorts to dictatorial measures to quell dissent. Military career man Apollo becomes the advocate for civil rights. Meanwhile a civil war is erupting among the Cylon race, the newly “revealed” Cylon sleepers in the Galactica fleet face an identity crisis and the final conflict seems inevitable. This is still the best science fiction series on TV, a drama that thrives in the atmosphere of moral ambiguity, spiritual mystery and survivalist reality, which is only enhanced by the down and dirty production design.