Spider-Man: Homecoming (2017) is the second reboot of the first superstar of the 21st century superhero boom since Sam Raimi’s hit trilogy and this time Sony (who still owns the movie rights) has handed the creative reins over to Marvel Studios and allowed them to integrate the webslinger into the Marvel Comics Movie Universe.
Tom Holland actually made his big screen debut as Spider-Man, once again a hapless high school kid just like in the original comics, in Captain American: Civil War, recruited by Tony Stark to be his secret weapon against Captain America’s rebel heroes. After holding his own in his big league try-out, Holland carries Spider-Man: Homecoming with the youthful spirit of a high school brainiac nerd with the fresh charge of superpowers he’s still mastering, the unseasoned hero eager to impress reluctant mentor Iron Man (Robert Downey Jr.) and make the leap from the streets of Queens to the big leagues of The Avengers.
This film wisely dispenses with the whole origin story and reintroduces us to the rookie wall crawler by revisiting his Civil War coming out party from the excited kid’s point-of-view via Parker’s camera-phone. It’s a perfect entry into this variation on the Marvel house style, capturing not just the charge but the culture of social engagement of a high school kid, a YouTube take on superhero spectacle in the first person.
Robocop (Fox, Blu-ray, DVD, Digital HD, On Demand) – We gripe about remakes all the time, but when you approach something with the status of the original 1987 RoboCop, Paul Verhoeven’s perversely violent, savagely smart, and wickedly funny science fiction action blast laced with political and social satire, it gets personal for a lot of folks. And for good reason. Twenty five years later, it seems more prescient than ever, which puts the onus on the new film to justify itself: just what does it have to say about a world where unmanned military drones are being drafted into stateside police work?
Brazilian director José Padilha, who delivered both gritty, high-tension action and a savvy social drama in Elite Squad, takes on this remake, and Swedish-born / Texas-tutored Joel Kinnaman is Detroit cop and family man Alex Murphy, rebuilt with military robotics as an urban assault weapon after he’s mortally wounded in an ambush.
This is certainly much slicker than the original, with military robots that look like the Cylons of the “Battlestar Galactica” reboot and mayhem galore, but it’s also much tamer in terms of both violence and satire. Where the original found an insidious handshake between corporate profits and planned obsolescence and design flaws designed to keep contracts full and a cut of the drug and flesh trade around construction projects, this is just about greed on small and large scales, with OmniCorp, the insidious contractor hoping to sell the dubious American public on a mechanical police force, as the big-time crooks. Michael Keaton is despicably good as the instinctively disingenuous CEO and Gary Oldman, Abbie Cornish, and Samuel L. Jackson co-star.
The battle between the human spirit and an operating system offering “the illusion of free will,” a metaphor rife with possibility but lacking conviction, for a film that turns on the struggle between man and machine, this film has less personality than Verhoeven’s. The film ultimately favors soggy sentiment over the cleverness of the original: emotion overrides the system here, rather than taking on the fatal logic of the system itself in the darkly witty twist of the original. The human factor is the wild card. I just wish it was actually more wild and less predictable.
One question that really bothers me in all these future films: how have they managed to create entirely self-contained robot soldiers yet never found a way to make silent servo motors? Every movement comes with the whir and buzz of working parts just to remind us that it’s not just a suit, it’s technology, baby!
The Blu-ray offers the three-part featurette ” Robocop: Engineered for the 21st Century,” an OmniCorp product announcement and deleted scenes, plus a bonus DVD and UltraViolet Digital HD copy. No supplements on the DVD.