Spider-Man: Homecoming (2017) is the second reboot of the first superstar of the 21st century superhero boom since Sam Raimi’s hit trilogy and this time Sony (who still owns the movie rights) has handed the creative reins over to Marvel Studios and allowed them to integrate the webslinger into the Marvel Comics Movie Universe.
Tom Holland actually made his big screen debut as Spider-Man, once again a hapless high school kid just like in the original comics, in Captain American: Civil War, recruited by Tony Stark to be his secret weapon against Captain America’s rebel heroes. After holding his own in his big league try-out, Holland carries Spider-Man: Homecoming with the youthful spirit of a high school brainiac nerd with the fresh charge of superpowers he’s still mastering, the unseasoned hero eager to impress reluctant mentor Iron Man (Robert Downey Jr.) and make the leap from the streets of Queens to the big leagues of The Avengers.
This film wisely dispenses with the whole origin story and reintroduces us to the rookie wall crawler by revisiting his Civil War coming out party from the excited kid’s point-of-view via Parker’s camera-phone. It’s a perfect entry into this variation on the Marvel house style, capturing not just the charge but the culture of social engagement of a high school kid, a YouTube take on superhero spectacle in the first person.
Bones (2005-2017) came to an end in early 2017 after twelve years and 245 episodes: an impressive run by any measure. The high concept crime show was never hailed as the best or most original show on TV—it was one of the better of the myriad of procedurals built around the unique talents of a brilliant mind whose area of expertise invariably becomes the key to unlocking the mystery at hand—but it struck that perfect alchemy of fun characters, snappy dialogue, murder mystery complications, gooey forensics and, most important, screen chemistry bonded to perfection that most television never approaches.
Emily Deschanel is world-class anthropologist Dr. Temperance Brennan, resident genius at The Jeffersonian, the show’s stand-in for The Smithsonian. David Boreanaz is FBI Special Agent Sealy Booth, who is teamed with Brennan in the first episode in a partnership that almost crashes and burns halfway through their first case. By the end of the episode they evolve to grudging respect. Booth calls Brennan “Bones” first as a cheeky slight, then as an affectionate nickname, and finally a term of endearment. They were the classic odd couple buddy partnership, the practical detective with a savvy understanding of people and the scientific genius devoted to empirical evidence colliding and collaborating through each investigation.
Freaks & Geeks: The Complete Series (Shout! Factory, Blu-ray) – Somewhere between Dawson’s Creek and Welcome to the Doll House is this sharp, funny, and surprisingly poignant high school dram-edy (for lack of a better word), which premiered in 1999 and lasted for a single season.
Junior Linda Cardellini (of the Scooby-Doo movies and Mad Men) grounds the series as the former class brain who, in the first episode, is in the midst of a startling identity crisis. Rejecting everything she once took for granted, including her place in the school hierarchy, she gravitates toward the “freaks,” a group of stoners, under-achievers, and minor key rebels, sort of led by rebel without a clue Daniel (James Franco, looking perpetually stoned). Meanwhile her Freshman brother (John Francis Daley) is a Steve Martin-quoting, Dungeons and Dragon-playing, skinny little “geek,” hanging with his friends, pining for a pretty cheerleader, and trying to avoid the mean-spirited pranks and hazing that he seems to be the perpetual butt of.
Set in 1980 Michigan and executed with a brilliant sense of fashion, music, and pop-culture zeitgeist, the hour long show is no sitcom (though it’s funnier than most) and the humor is often a sneaky way to explore the pain of teenage social nightmares, from the bullying, humiliating torments of bigger and older students to crushes, dating, and the social rites of passage that put kids on stage without giving them the script. It’s compassionate without losing itself in sentimentality and understanding of the crises that drive these kids to their often self-destructive behavior without letting them off the hook for their decisions. No show on TV better captured the subtleties or the dynamics of the high school caste system. The Pilot features a longer “director’s cut” with footage not seen on TV and the 18 episode series (of which only 15 were originally shown on NBC before it was yanked from the schedule for good) is returned to its intended order, ending on a satisfying and moving open-ended conclusion that leaves the characters stretching themselves to the future in moments of discovery and defiance. Watch for Ben Stiller in an uncredited cameo as a frustrated Secret Service agent in The Little Things.
The series has been released twice on DVD. The Blu-ray box set features two complete versions of the show—the original broadcast presentation in the full frame Academy ratio and a special widescreen TV version—plus all of the supplements from the previous DVD releases. That includes 29 commentary tracks. Really. No, I’m serious. There are 29 commentary tracks, featuring various combinations of cast and crew (“No, we do not think the show is so important that it demands almost 30 commentary tracks,” writes Executive Producer Judd Apatow in an accompanying Q&A, “but you have to understand, we miss each other. Recording commentary tracks was a great way to see each other….”) The participants include creator/co-executive producer Paul Feig (who based many of the scripts on his own high school experience), executive producer Judd Apatow, directors Jake Kasdan, Lesli Linka Glatter, Ken Kwapis, Bryan Gordon, and Miguel Arteta, writers Mike White, J. Elvis Weinstein, Jeff Judah, Gabe Sachs, Patty Lin, Rebecca Kirshner, Bob Nickman, and Jon Kasdan, actors Linda Cardellini, John Francis Daley, James Franco, Samm Levine, Jason Segel, Martin Starr, Seth Rogan, Busy Philipps, Betty Ann Baker, and Joe Flaherty, recurring and guest actors Dave (Gruber) Allen, Natasha Melnick, Stephen Lea Sheppard, Jerry Messing, Joanna Garcia, Sam McMurray, Sarah Hagan, Claudia Christian, Tom Wilson, and “high concept” tracks featuring the production team, the teachers (in character, talking about the students!), studio executives, even parents of the stars and fans. And no, that’s not all. There’s a Q&A at the Museum of TV and Radio in 2000, a 70-minute featurette with Feig, Apatow, director Jake Kasdan and half a dozen cast members (worth it just to see Seth Rogen giggle like a goof as he riffs on stage). There are deleted scenes from every episode (with optional commentary by Judd Apatow and actors Martin Starr and John Francis Daley), actor auditions (see Linda Cardellini and Busy Phillips swap roles), complete table reads of three episodes, outtakes, bloopers, alternate takes, and other raw footage and behind-the-scenes clips, plus a booklet with essays and an episode guide.