Directed by the insanely prolific Hong Kong action veteran Wong Jing, Chasing the Dragon (China, 2017) is the filmmaker’s crime epic, a historical drama that charts the rise and fall of two notorious gangsters who thrived in the rampant corruption enabled by Britain’s colonial rule of Hong Kong in the 1960s. The title is slang for heroin addiction and looking for the next high but for the two men at the center of the film, it’s about power and money and carving out the island nation’s answer to the American Dream through an insidious partnership between the police department and the underworld gangs.
Inspired by a true story, Chasing the Dragon stars Donnie Yen, the zen master of martial arts action, playing against type as Crippled Ho, the Chinese immigrant who became a drug kingpin, and Andy Lau as top cop Lui Lok / Lee Rock (a role he played in two previous films), who centralized the system of graft as he rose through the ranks. Lau provides the smooth charm as the ambitious cop who bristles under the arrogance and abuse of power by the British officials but knows better than to challenge their rule as he consolidates his control. Yen brings his usual understated warmth as Ho, underplaying the ruthlessness as he builds his power base, and he trades in the grace and majesty of his martial arts style for a scrappy, street-fighting approach.
Snake in the Eagle’s Shadow / Drunken Master (Twilight Time)
Boyish, baby-faced Jackie Chan trained at the famed Peking Opera Academy, had an early career as a stunt man, supporting player and fight choreographer in scores of Hong Kong films, and was unexpectedly chosen as “the next Bruce Lee” in a series of stiff, serious revenge adventures. This misguided attempt almost ended his shot at stardom before it began; Jackie’s charms have everything to do with his outgoing personality and self-deprecating humor, and an acrobatic fighting style schooled in Chinese Opera. After a series of super-serious action film flops his career was practically written off. Then producer Ng See Yuen paired the young performer with director Yuen Woo-ping for a pair of films that played up his strengths. The rest, as they say, is history.
In Snake in the Eagle’s Shadow (Hong Kong, 1978), Jackie plays a menial servant in a school for martial arts who saves the life of an aged vagrant (director Yuen Woo-ping’s father Yuen Siu-tin, aka Simon Yuen), who just happens to be a martial arts master on the run. Cut to training sequence, toss in the sight gags, and unleash Jackie’s Chinese Opera style. It was the first time that Jackie got to display his gymnastic martial arts style and his facility for physical humor and it was a success, which of course demanded an immediate follow-up.