A good con-artist movie isn’t that much different from a good con. It’s all about distraction and sleight of hand, creating a false narrative to draw the viewer’s attention away from the real plot playing out behind the feint, and leaving behind a story that the mark can hang on to.
In Focus, Will Smith is all arrogant confidence as Nicky, the veteran pro who runs his jobs like a coach fielding a champion team. He’s not interested in one big score, but in racking up points in a rapid-fire succession of plays throughout the game.
The feature film debut of celebrated photographer and commercial director Neal Slavin, the 2001 drama Focus is based on Arthur Miller’s 1945 novel about a meek, quietly conformist personnel manager at a New York company whose life is transformed after he gets a new pair of glasses. “They make you look Jewish,” his mother complains, and sure enough longtime neighbors and co-workers start looking askance at him. William H. Macy plays Lawrence Newman, a Presbyterian who traces his American ancestry back to the 18th century and a life-long single man who cares for a wheelchair-ridden mother. When he falls under suspicion of Hebrew ancestry, his middle class Brooklyn neighborhood puts him on “the list” and the anti-Semitic harassment begins, as it does with the Jewish news agent on the corner (played by David Paymer). Laura Dern co-stars as Gertrude, a New York girl who is herself mistaken for Jewish when she interviews for a job at Lawrence’s company, which has a strict hiring policy: Christian only.
Focus is based on the sole novel by playwright Arthur Miller, which was written while World War II was still being fought and published in 1945. “It was probably the first novel about anti-Semitism ever published in this country,” said Miller in a 2001 interview, and it made some publishers nervous at the time.