Blu-ray: The silent horror of ‘Behind the Door’ restored

Behind the Door (1919) (Flicker Alley, Blu-ray+DVD) was for decades a film known by reputation only. A good film, yes, but more than that a notorious one, for what lay behind the door was… No spoilers because the film, once known to exist only in incomplete form, has been reconstructed and restored by the San Francisco Silent Film Festival and released on disc by Flicker Alley. Its reputation proves well-earned.

Flicker Alley

Hobart Bosworth plays Captain Oscar Krug, an American seaman of German ancestry who left the sea for life ashore for the love of a woman. But in the opening moments of the film he’s a haunted man returning to the ghosts of the past in his old taxidermy shop, now a ransacked ruin choked by dust and shadow. His story plays out in the shadow of this resignation, a sunnier time when he was in love with banker’s daughter Alice (Jane Novak) and respected by his New England community. A jealous suitor uses the outbreak of World War I to whip up anti-German hysteria (which, in 1919, was not that distant a memory) but the two-fisted patriot wins over the mob with a roundhouse of a brawl and a rousing proclamation to do his duty, as every American should. He bonds with his opponent, McTavish (James Gordon), over the brawl and a few cuts later Krug is captaining an American naval ship, the Perth, with McTavish as his loyal mate and friend. And Alice stows aboard, kicked out by her possibly-crooked, definitely-shady banker father, ready to do her duty as a nurse. Then the unmistakable conning tower of a submarine rises from the surface of the sea and German U-boat commander Brandt (Wallace Beery) torpedoes and sinks the Perth with far too much malicious glee. If director Irvin Willat makes a point of celebrating the patriotism of German-Americans, he brands the German enemy with the familiar stereotype of the bloodthirsty Hun.

The rest of the story is best discovered on your own because it’s a doozy of a portrait of war crimes and gruesome revenge.

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Blu-ray/DVD: The Sicilian Clan

Three of the great icons of French crime cinema team up for The Sicilian Clan (France, 1969) (Kino, Blu-ray, DVD). Jean Gabin is Vittorio Manalese, the head of the Sicilian Manalese clan in Paris, Alain Delon the reckless, amoral French criminal and killer Roger, who hires Vittorio’s clan to spring him from custody, and Lino Ventura Commissaire Le Goff, the man who captured Roger. After Roger escapes, Le Goff struggles with is efforts to give up smoking.

The film opens with a terrific escape, not from prison but from prison transport in the chaos of a traffic snarl, in a nicely-engineered sequence crisply directed by Henri Verneuil. No guns needed here—the Manalese clan doesn’t kill during their capers—and Vittorio is wary of Roger, a loner who has killed more than one cop in his robberies, as he puts him up in a private apartment above the family home. But when Roger brings a big jewel heist his way, he agrees to partner up and proceeds to find a New York partner and case the target: an exhibition hall in Rome with state-of-the-art security. Vittorio meets up with distant New York mob cousin Tony Nicosia (played with dapper charm by Amadeo Nazzari), who he hasn’t seen for thirty years, and they slip into instant rapport and easy friendship as if no time has passed as they case the Rome exhibit. When they find the new technology impenetrable, Vittorio comes up with a new plan: hijacking the flight delivering the jewels to New York City in a genuine family affair.

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Blu-ray/DVD: ‘Mildred Pierce’ on Criterion

Is Mildred Pierce (1945) (Criterion, Blu-ray, DVD) film noir or melodrama? I say why choose? Film noir is almost entirely associated with crime stories and life in the shadows and at night in the city and sure enough Mildred Pierce, based on the novel by James M. Cain, opens with death and darkness and the twilight of the soul. But there’s a subset of noir rooted in melodrama or the women’s pictures, as they were called in the 1940s and 1950s, films about the lives of women as they reach for their American dream, or at least the one promised them in love, marriage, and family. Mildred Pierce offers both, almost as two separate films that converge in the final act

Criterion

It opens squarely in film noir territory (not that there is anything square and simple in noir), with a point blank murder and grotesque dying convulsions of a man who, even at first glance, convinces us he’s an oily, unclean manipulator who surely earned his terrible death. It’s Zachary Scott in a lounge lizard mustache playing his trademark gigolo with weasely insincerity—almost too perfect for our opening victim. We’ll get back to the corpse but first we leave the beach house scene of the crime for a seedy part of the boardwalk and a woman in fur (Joan Crawford) gripping the rail with every indication of a suicidal plunge into the surf. There’s a gaudily colorful bar with a Polynesian theme owned by Jack Carson, appropriately attired in a white tux that screams new money and no taste especially next to the elegance of Crawford, a nightcap, and what appears to be a neat little frame for murder that sweeps all of our characters into the police station for questioning.

You don’t think of Michael Curtiz, the great house director of Warner Bros. spectacles and prestige pictures, as one of the great noir directors but the opening twenty minutes or so is a master class in film noir directing, in part thanks to stunning nocturnal images by cinematography Ernest Haller (his work earned an Oscar nomination, one of six that the film racked up).

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Blu-ray: Deluge

Deluge (1933) (Kino Lorber Studio Classics, Blu-ray, DVD), the original end-of-the-world thriller, is a curious and often fascinating artifact. Produced in 1933, before the production code came down on Hollywood, on a relatively modest budget, it imagines not just the destruction of civilization in (unexplained) earthquakes and cataclysmic storms but life after the flood, so to speak. It’s based on a popular 1920s science fiction novel by the now forgotten Sydney Fowler Wright and can claim the title as the first disaster movie.

Kino Lorber Studio Classics

Scientists are in a panic as barometers plunge and reports of cities flooded in tidal waves and hurricanes are breathlessly reported in radio broadcasts. In these opening scenes, however, the only destruction we witness is the lavish house in the woods of Martin and Helen (Sidney Blackmer and Lois Wilson), crushed under trees blown over by high winds while Martin carries them off to safety. Then the real spectacle begins: New York collapses in primitive yet evocative miniatures that are more expressionistic than realistic, like an avant-garde short dropped into a science fiction thriller. Crude travelling mattes put people amidst the destruction, fleeing collapsing buildings or getting crushed by the debris, and a magnificent miniature gives us a God’s eye view of New York City swamped in a tsunami. By modern standards it’s not all “realistic” but it’s mesmerizing in part because it’s a cinematic imagining of something no filmmaker had attempted on screen before. It’s a first pass at the kind of disaster spectacle we now take for granted and these technicians create it all from scratch, not just the technical matter of the physical special effects but the very visualization of the end of the world.

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Blu-ray/DVD: ‘Loving’ – The couple behind the history

Ruth Negga earned an Academy Award nomination for her performance in Jeff Nichols’ intimate drama.

Universal Home Video

Loving (2016), Jeff Nichols’s portrait of Richard and Mildred Loving, does more than put a face to a landmark Supreme Court decision. Their 1958 marriage was a crime in the state of Virginia because Richard (played by Joel Edgerton with a terse determination) was a white man and Mildred (Ruth Negga, vulnerable yet hopeful) was a black woman. But this is not the portrait of a defiant couple protesting all the way to the Supreme Court. The title is more than just a form of shorthand or a clever double-meaning. It is the core of the film. This is about a marriage, a couple deeply in love and devoted to their family, who just want to live together in their home state.

Their courtship is presented in snapshots yet from the beginning it’s like they’ve been together forever, laying in one another’s arms with a natural intimacy. They live in an integrated pocket of blue collar families that could be a planet away from the segregation of the cities. When Mildred tells Richard she’s pregnant he beams with a rare smile, like it’s the sign he’s been waiting for, even if they have to sneak across the border to Washington D.C. for the ceremony and set up a household in secret. Negga earned a well-deserved Oscar nomination for her performance as Mildred and Australian actor Edgerton received a Golden Globe nomination for the stolid Richard, a man who looks like a redneck stereotype under his buzz cut and tight mouth yet is like a member of her family even before they marry.

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Blu-ray: ‘Something Wild’ (1962) on The Criterion Collection

Criterion

Not to be confused with the Jonathan Demme screwball comedy/thriller by the same name, the 1962 Something Wild (Criterion, Blu-ray, DVD) is an unusually frank drama about a teenage girl recovering from rape.

The film opens on the assault, a non-explicit scene that communicates both the violence of the rape and the terrible sense of violation and helplessness felt by Mary Ann (Carroll Baker), a New York middle-class girl who is attacked on the way home from school. Director Jack Garfein, who adapted the screenplay from the novel “Mary Ann” with author Alex Karmel, presents the ordeal in impressionistic fragments and discomforting close-ups and the aftermath, as she picks herself off and shuffles home, in a long, wordless scene sensitive to the nuances of her experience. The tactile presentation of the physical details (a skirt shoved up over her thigh, a sharp rock poking into her leg, bending to pick up the modest crucifix ripped from her neck and tossed to the ground) doesn’t just channel the sensory experience, it suggests the fragments of the ordeal that Mary Ann’s mind latches on amidst the horror of violation. More than fifty years later it is still startling and affecting, a simple yet evocative cinematic suggestion of ordeal too terrible to show.

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Blu-ray: Long Way North

Shout! Factory

Long Way North (Shout! Factory) is a gorgeous French-Danish animated feature about a 15-year-old girl from an aristocratic family in 1880s Saint Petersburg who flees her palatial home for the far north to search for the lost ship of her explorer grandfather Oloukine. He disappeared in his attempt to conquer the North Pole in the “unsinkable” ice breaker “The Davai” and is assumed by all to have sunk but Sacha, the aristocrat with the heart of an adventurer, finds clues in her grandfather’s papers that suggests he took an alternate route and she seeks out a ship to search for the ship. There’s a handsome reward for its recovery, which is what finally convinces a Captain to take on her search, but she’s driven by her adoration for her grandfather and her desire to rehabilitate his reputation.

First-time director Rémi Chayé was an assistant director and storyboard artist on the Oscar-nominated The Secret of Kells and the lovely French feature The Painting and he brings a strong, sure sense of design and layout to the film. This is traditional hand-drawn animation with an unconventional visual style, less drawn than painted with big, bold fields of color and details suggested in splashes of shadow or small, simple lines.

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Blu-ray/DVD: Train to Busan

You could call Train to Busan (South Korea, 2016) “Zombies on a Train”—it certainly makes a catchy logline and it frames the premise accurately and succinctly—but it reduces this fleet, fierce, unexpectedly human thriller to a mere gimmick.

Apart from the slyly eerie prologue, the film opens without any hint of the viral rampage to come. Workaholic divorced dad Seok Woo (Gong Yoo) is a hedge fund manager in a Seoul financial firm juggling a financial crisis while his neglecting his young daughter Soo-an, one of those adorable tykes whose moon eyes and disappointed face gives us a history of neglect—not the physical abuse kind, mind, he’s just been absent in every meaningful way—and finally shames him into taking her back to her mother on the train to Busan. It’s just another ride as far as the passengers are concerned, but that because the train pulls out just before the yard is overrun in a swarm of rabid bodies, but not before one infected soul climbs aboard.

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Blu-ray: Meryl Streep is ‘Florence Foster Jenkins’

Florence Foster Jenkins (2016) may sound like a one-joke contrivance—a rich, generous, arts-loving heiress in 1940s New York City gives private recitals to a select group of high society insiders who never let on to the oblivious woman that she is quite possibly the worst singer to ever trod a stage—but it is both a true story and an unexpectedly tender, touching movie. And it’s quite funny to boot.

Meryl Streep, who is in fact a trained and talented vocalist, pulls off that most difficult of comic performances as Mrs. Jenkins. She glows with joy while her shrill tones are wretchedly off-key and at times off-the-charts while her husband St Clair (a warm and protective Hugh Grant) smiles in appreciation through her rehearsals. Her new practice pianist Cosmé (Simon Helberg, The Big Bang Theory) is dumbstruck during his inaugural session with Florence and Helberg’s performance is superb. He’s like a silent movie comic, looking on gobsmacked then contorting himself to keep from betraying his reaction when he sees that no one else is the least bit fazed. You can imagine everything running through his head as he plays away: are they putting him on? Are they putting her on? Can they even tell she’s wildly untalented? Just what has he gotten himself into, and is having a steady job worth it?

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Best Blu-ray & DVD releases of 2016

We’ve been hearing people pronounce the death of DVD and Blu-ray for years now. You’d never know it from the astonishing wealth of Blu-ray debuts, restored movies, and lovingly-produced special editions in 2016. The sales numbers are way down from a decade ago, of course, thanks in large part to the demise of the video store, which drove sales of new movies to fill the new release rental racks. The studios still handle their own new releases on disc but many of them have licensed out their back catalog to smaller labels—some new, some longtime players—who have continued to nurture the market for classics, cult films, collectibles, and other films from our recent and distant past. Criterion, Kino Lorber, Shout! Factory / Scream Factory, Twilight Time, Arrow, Olive, Blue Underground, Flicker Alley, Raro, MVD, Cinelicious, and others have continued to reach those of us who value quality and deliver releases that, if anything, continue to improve. We prefer to own rather than rely on compromised quality of streaming video and the vagaries of licensing and contracts when it comes to movies.

2016 has been as good a year as any I’ve covered in my years as a home video columnist and paring my list of top releases down to 10 was no easy task. In fact, I supplemented it with over two dozen bonus picks and honorable mentions. My approach is a mix of historical importance, aesthetic judgment, quality of presentation, and difficulty of effort. It is an unquantifiable formula influenced by my own subjective values but you’ll see some themes emerge. I favor films that have never been available in the U.S. before, significant restorations, discoveries, and rarities. But I also value a beautiful transfer, well-produced supplements, insightful interviews and essays, and intelligently-curated archival extras. You’ll see all these in the picks below.

Out1Box1 – Out 1 (Kino Lorber / Carlotta, Blu-ray+DVD) – This was my cinematic Holy Grail for years, Jacques Rivette’s legendary 12-hour-plus epic of rival theater companies, an obsessive panhandler, a mercenary street thief, an obscure conspiracy, the post-1968 culture of Paris, puzzles, mysteries, creative improvisation, and the theater of life. The history is too complicated to go into here (check out my review at Parallax View) but apart from periodic special screenings it was impossible to see until a digital restoration in 2015 followed by a limited American release in theaters, streaming access, and finally an amazing Blu-ray+DVD box set featuring both the complete version (Noli me tangere, 1971 / 1989) and the shorter Out 1: Spectre (1974), designed for a theatrical release after French TV balked at his original vision. It was shot on 16mm on the streets with a minimal crew and in a collaborative spirit, incorporating improvisations and accidents and morphing along the way. The disc release embraces the texture of its making and also includes the new documentary “The Mysteries of Paris: Jacques Rivette’s Out 1 Revisited” and an accompanying 120 page bilingual booklet. There were more lavish sets and more beautiful restorations on 2016 home video, but nothing as unique and committed as this cinematic event, which made its American home video debut over 40 years after its first showing. Full review here.

Blu-ray/DVD: ‘Crouching Tiger’ revisited, ‘Kamikaze’ Fassbinder, South Korean ‘Wailing,’ and more

kamikaze89Kamikaze ’89 (Film Movement, Blu-ray, DVD) – Rainer Werner Fassbinder takes a rare onscreen lead in what would be his last screen appearance in Wolfgang Kremm’s 1982 new wave science fiction cop drama. Based on a satirical science fiction novel by Swedish crime writer Per Wahlöö, it’s a cyberpunk murder mystery in a totalitarian near future, where news and entertainment is controlled by a single entity called the Combine, a corporate monopoly that narcotizes the population with mind-numbing reality TV and upbeat news reports of sunny weather. Lt. Jansen (Fassbinder) is assigned to investigate a bomb threat at the headquarters of the Combine, which is run by a man known as Blue Panther, and given 72 hours to wrap the case (which is classified as a state secret) by his Chief, who is constantly under medical treatment.

This is a cartoon of a totalitarian culture where vegetables are forbidden and the police salute one another with a thumbs up and a smile and the film is filled with comic books both real and fictional (the Blue Panther is the star of his own series, where his nemesis Kyrsnopompas has become an icon of revolution) to hammer the message home. The mystery is silly and confusing but the film is entertaining, with Fassbinder dressed in a leopard-print suit and playing racketball in a police disco in his off hours. You can see the ravages of drugs and alcohol on Fassbinder, who is pale and pudgy and often out of breath in his scenes. He was dead by the time the film was released. This is more curiosity than classic but it is goofy fun and it features Fassbinder collaborators on screen (actors Günther Kaufmann and Brigitte Mira) and behind the camera (cinematographer Xavier Schwarzenberger) and a score by Tangerine Dream founder Edgar Froese.

It debuts on Blu-ray and DVD in the US with commentary by producer Regina Ziegler and the documentaries Rainer Werner Fassbinder: The Last Year (1982) and Wolf At the Door (2015) directed by Wolf Gremm, plus a booklet with essays by Nick Pinkerton and Samuel B. Prime.

crouchingtiger4kCrouching Tiger Hidden Dragon (Sony, Blu-ray, 4K UHD) – Ang Lee transformed his love of “wuxia pian” (China’s epic adventures of martial arts, chivalry, and melodrama of the past age) into a worldwide smash by creating, in his own words, “Sense and Sensibility with martial arts.” As much about the tragedy of repressed love and the rebellion of a feisty young princess (Zhang Ziyi) against an arranged marriage as a hot-blooded action film, it bubbles with heart, soul, and sheer poetry in motion. Michele Yeoh kicks up a storm while Chow Yun-Fat relies on poise, confidence, and minimalist movements to make himself the calm master in the center of frenzied fights. The film soars—literally—with high flying action scenes that border on magic, but it’s the romantic abandon and delirious imagery that gives the melodrama it universal appeal. Winner of four Oscars, including Best Foreign Language Film and Best Cinematography.

It’s been newly remastered from a 4K master for the 4K UHD release, and features a collection of new and archival supplements. New to this edition is the three-part “Crouching Tiger, Hidden Tiger – A Retrospective” featuring interviews with director Ang Lee, screenwriter/producer James Schamus, and film editor Tim Squyres, all conducted by Tasha R. Robinson (runs about 80 minutes all together), and the vintage featurette “The Making of Crouching Tiger, Hidden Dragon,” plus six never-before-seen deleted scenes, two music videos, and a new introduction by director Ang Lee.

Carried over from previous releases are two commentary tracks, one with director Lee and longtime collaborator James Schamus, the other with cinematographer Peter Pau, an interview with Michelle Yeoh, and a gallery of stills. The filmmaker commentary is both entertaining and informative. Schamus cracks jokes but is genuinely sensitive to the film; he quips: “And now the exposition: Why are you doing this? I’m repressed and I’m in an Ang Lee movie,” during a conversation between the two female leads, but turns around to praise Michelle Yeoh’s performance as she holds the scene in close-up. Lee is no slouch in the humor department himself, but he’s more concerned with the cultural background, the themes of masters and disciples, and the physical ordeal of creating the film and the effects, especially the stunning martial arts sequences but also the amazing vistas and beautiful locations.

wailingThe Wailing (Well Go, Blu-ray, DVD), a South Korean thriller that takes a dark turn into supernatural horror, is the third feature from Na Hong-jin, director of The Yellow Seaand The Chaser, two of the more sophisticated thrillers to come out South Korean cinema. He does a nice job of putting his horror in the material world of modern life with Kwak Do-won as a somewhat dim underachiever cop who is way over his head investigating a double homicide in his little town. Kwak isn’t too bright but he’s a doting father to his smart little girl and there’s still a little spark in his marriage, even if they have to sneak off like a teenager to the backseat of their car to have a little private time. He’s gobsmacked by the bloody crime scene, unnerved by the sight of a silent woman who appears at each crime scene like a demonic spirit, and unsettled by the enigmatic Japanese traveler living in the hills (Jun Kunimura). They are all clearly interconnected and as the body count increases and an inexplicable plague of untreatable illnesses build he puts his attention to the Japanese man with a hidden shrine of incriminating photos. Is he a shaman or a villain, and is this a serial killer spree or demonic possession?

This is dark and disturbing and surprisingly long—over 2 ½ hours—and directed with a slow build that churns up the tension as it shifts suspicion around. Na splashes the crime scenes with blood and gore and suggestions of unimaginable violence perpetrated on the victims, and he captures weird scenes of unnerving behavior that could be evidence of dark forces at work or simply fevered imaginations at work. But it’s when Kwak’s pre-teen daughter develops a rash and starts spouting filthy language with a ferocious rage that comes and goes like a fever (recalling nothing less than The Exorcist) that the horror really hits home for Kwak, who tosses aside police procedure and overcomes his innate cowardice to save his daughter. That’s not entirely reassuring, mind you. Where American horrors tend to provide us with earnest cops and wise religious figures, this film (like an earlier, non-horror South Korean thriller, Memories of Murder) offers no such comforting protagonists or confident insights to the supernatural origins of the inexplicable events. And when things get really weird and twisted in the third act, the brakes are off on this ride.

On Blu-ray and DVD. In Korean with English subtitles, with two featurettes and the original trailer.

phantomtheatrePhantom of the Theatre (Well Go, DVD) – The Phantom of the Opera looms large in this Hong Kong haunted theater / romantic melodrama set in 1930s Shanghai, where a grand show palace is reopened for the first time since a troupe of acrobats died in a fire 13 years before. An ambitious filmmaker (Yo Yang) wants to shoot his debut feature, a supernatural romance, in the theater. A series of mishaps plagues the crew and scares the leading man off, prompting the director to step in opposite the lovely ingénue (Ruby Lin), who remains through the disasters. There’s a mysterious, scarred figure scurrying behind the scenes, characters burst into flame and appear to burn from the inside out (the director’s girlfriend is, coincidentally, the police pathologist), and flashbacks reveal that most of the players in this modern drama have direct ties to the fatal fire years before.

The film tries to have it both ways, delivering supernatural spectacle and then explaining it away with pseudo-science that doesn’t quite hold up, and turns into a revenge film and a murder mystery. It’s directed by Raymond Yip (Yip Wai Man), a veteran of popular costume epics and grand action films, and he gives it a lavish, colorful look. The old style melodrama is big and lush and romantic, like the old Hollywood pictures of the 1940s and 1950s with modern special effects. It may seem corny to American audiences but it’s entertaining and visually fun to watch.

On DVD only. In Mandarin with English subtitles, no supplements.

reignassassinsReign of Assassins (Anchor Bay, DVD) is a 2010 costume action drama making its belated American home video largely on the two international names in the Chinese picture: producer John Woo, who has a co-director credit, and star Michelle Yeoh of Crouching Tiger, Hidden Dragonfame. Yeoh is a top assassin for Dark Stone, a criminal organization determined to find the remains of a great martial arts master that is said to give great power to whoever possesses them. The relics are something of a MacGuffin here, an object to set the story in motion as Yeoh takes the treasure and disappears into a new life (thanks to a black arts version of plastic surgery) married to a poor but honest courier (Jung Woo-sung). When she reveals her powers to save her neighbors from a gang of bank robbers, however, the top assassins from Dark Stone arrive to take the bounty on her head. This is a colorful but unremarkable mix of martial chivalry, costume drama, romance, and period martial arts spectacle with swordplay, flying acrobatics, and special effects. Action star Michelle Yeoh is duly enigmatic and Korean star Jung Woo-sung provides the romantic warmth, but it is otherwise routine with little sign of Woo’s action pyrotechnics or his operatic approach to melodrama.

On DVD only. Mandarin with English subtitles, no supplements.

Blu-ray: ‘Private Property’ rediscovered and restored

privatepropertyPrivate Property (Cinelicious, Blu-ray+DVD) – Put this 1960 film in the “Lost and Found” category. The directorial debut by Leslie Stevens, a playwright and screenwriter and protégé of Orson Welles, it’s a neat little sexually-charged psychological thriller set in the sunny California culture of affluence and trophy wives and drifting hitchhikers crossing the stratified social borders.

Corey Allen and Warren Oates are Duke and Boots, the George and Lenny of angry drifters, and Kate Manx is the beautiful trophy wife that Duke spots on the Pacific Coast Highway in a white Corvette. They coerce a travelling salesman to follow that car and trail her to her Hollywood Hills home, taking up residence in a vacant home next door. They ogle her through the second floor window as Anne sunbathes and skinny dips, and then they insinuate themselves into her home. A student of the Method school, Allen plays Duke as an angry young con man who has perfected the sensitive soul act, while Manx, who was Stevens’ wife at the time, is a limited actress who Stevens directs to an effective performance. Oates is the revelation, walking that tightrope between loyalty and suspicion, slowly figuring out Duke’s games but slow to act until practically pushed into action.

Long considered lost until it was restored by UCLA Film and Television Archive and rereleased in 2016, Private Property is not a lost masterpiece but it is a terrific little independently-produced thriller. Constructed around a few locations (including Stevens’ own home for Anne’s gilded prison) and a cast of four central characters and shot in an economical ten days, it is both a handsome production (shot by veteran, Oscar-nominated DP Ted McCord sometime between Treasure of the Sierra Madre and The Sound of Music, and camera operator Conrad Hall) and a visually evocative world taut with palpable tension and he orchestrates the quartet nicely. The simmering resentments of class and money and the confusion of sex, desire, and power point this 1960 film forward to the socio-political concerns of late-sixties and early-seventies cinema.

Released on a Blu-ray+DVD combo pack from a 4K restoration with a new interview with still photographer and technical consultant Alexander Singer and a fold-out insert with notes and observations by Don Malcolm.

Private Property [Blu-ray + DVD Combo]

More classics on Blu-ray and DVD at Cinephiled