Bones (2005-2017) came to an end in early 2017 after twelve years and 245 episodes: an impressive run by any measure. The high concept crime show was never hailed as the best or most original show on TV—it was one of the better of the myriad of procedurals built around the unique talents of a brilliant mind whose area of expertise invariably becomes the key to unlocking the mystery at hand—but it struck that perfect alchemy of fun characters, snappy dialogue, murder mystery complications, gooey forensics and, most important, screen chemistry bonded to perfection that most television never approaches.
Emily Deschanel is world-class anthropologist Dr. Temperance Brennan, resident genius at The Jeffersonian, the show’s stand-in for The Smithsonian. David Boreanaz is FBI Special Agent Sealy Booth, who is teamed with Brennan in the first episode in a partnership that almost crashes and burns halfway through their first case. By the end of the episode they evolve to grudging respect. Booth calls Brennan “Bones” first as a cheeky slight, then as an affectionate nickname, and finally a term of endearment. They were the classic odd couple buddy partnership, the practical detective with a savvy understanding of people and the scientific genius devoted to empirical evidence colliding and collaborating through each investigation.
How a CSI-lite procedural became the greatest love story on TV
After 12 years and 245 episodes, Bones is coming to an end. I know that will come as news to some of you. I mean, that’s the show with Zooey Deschanel’s older sister and the guy who played the brooding vampire on Buffy the Vampire Slayer, right? It’s really still on?
Ever since it debuted on 2005 as yet another CSI lite, the series has flown under the radar of TV critics and the cultural conversation alike. It’s a breezy procedural most likely to be stumbled across while channel surfing daytime cable TV (where it seems to be in endless rotation on TNT), which means it gets no respect. And that’s a shame. Behind the technology geek-out, the horror effects played for gross-out humor, and investigations through quirky social subcultures, Bones quietly and slyly spun one of the most interesting love stories on TV.
“The Man in the Fallout Shelter” (Season 1, episode 9) The show’s first Christmas episode quarantines the team in the lab over the holidays. Along with the inevitable seasonal bonding between characters who are, at this point, barely more than colleagues, we meet (through a glass barrier) Angela’s blues-guitarist father (ZZ Top’s Billy Gibbons) and Booth’s young son, Parker (Ty Panitz). The first is the coolest addition to the Bonesiverse (seriously, this guy becomes an enigma bordering on mythological trickster). The second is our first peek into the personal life of Booth and an introduction to the most important person in his world. The team’s chemistry really starts to bubble here.