Blu-ray: Dario Argento’s ‘Suspira,’ ‘Cat O’ Nine Tails,’ ‘Deep Red,’ ‘Opera,’ and ‘The Church’

Suspiria (Synapse, Blu-ray)
The Cat O’ Nine Tails (Arrow, Blu-ray+DVD Combo)
Deep Red (Arrow, Blu-ray)
Opera (Scorpion, Blu-ray)
The Church (Scorpion, Blu-ray)

Dario Argento was the master choreographer of the distinctly Italian art of horror known as giallo, was a baroque, often sadistic kind of slasher movie that favors intricately-designed murder sequences and aesthetic beauty over logic. Call him the pop-art fabulist of the slasher movie set. Combining Hitchcockian camerawork, lush, over-saturated colors, rollercoaster-like thrills, and at times surreal situations, Argento could overcome the sadism and misogyny in his gallery of sliced and diced beauties with the sheer cinematic bravura and beauty of the sequences. In his best films Argento delivered murder as spectacle with razor-sharp execution and turned horror cinema into a dream-like spectacle with a dash of sexual perversity. Which may be why his films have a cult following but little popular interest in the U.S., where audiences are more interested in literal explanations.

Synapse Films

Suspiria (Italy, 1977) was his only American hit, a stylish, surreal, downright puzzling piece of seventies Grand Guignol weirdness. Jessica Harper is an American ballet student in a creepy European dance academy run by Joan Bennett and Alida Valli, who seem to preside over a series of bizarre murders as well. The story has something to do with witchcraft and a coven that has made its home in the sinister school, but then plot was never Argento’s strength. Suspiria’s fame comes from operatic set pieces of lovingly choreographed violence—one young woman dropped through a stained glass ceiling until a rope around her neck breaks her fall (among other things), another swimming through a room filled (for no explicable reason) with razor wire (the first Saw borrowed this idea)—and Argento’s dreamy cinematography and vivid, full blooded imagery. He never really made sense, but in an era filled with masked brutes hacking up kids and co-eds, Argento brought a grace to the vicious business of murder and a dream logic to terror. Watch for Udo Kier in a supporting role.

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Blu-ray: Richard Lester’s ‘The Knack’ and more

KnackWhy isn’t Richard Lester more celebrated? An American who made his home in England, Lester earned an Oscar nomination for The Running Jumping & Standing Still Film (1959), a lark he made with Peter Sellers and Spike Milligan and others, made his reputation as a fresh, innovative filmmaker with Beatles rock and roll romp A Hard Day’s Night (1964), and proved his versatility with the acidic drama Petulia (1968), the comic swashbucklers The Three Musketeers (1973) and The Four Musketeers (1974), and the melancholy Robin and Marian (1976).

Kino Lorber has just released three of Lester’s British film on Blu-ray for the first time on their Studio Classics label, including one of his best.

Fresh from the playfully exuberant A Hard Day’s Night, which set the bar for rock and roll cinema and inspired the modern music video, Richard Lester continued the same acrobatic, tongue-in-cheek style in The Knack… and How to Get It (Kino Lorber Studio Classics, Blu-ray), his adaptation of Ann Jelico’s lightweight play “The Knack,” creating a delightfully frivolous take on swinging London and the sexual revolution.

Michael Crawford is grade school teacher Colin, the meek landlord of a flat where lives Tolen (Ray Brooks), who has “a certain success with the ladies” (which Lester exaggerates in a simultaneously poetically delicate and outrageously dreamy image of identically clad young women lining up the staircase and out the door into the streets for their turn with Tolen). When Tolen agrees to teach Colin a few tricks he decides he needs a bigger bed. Meanwhile Nancy (Rita Tushingham) arrives in London. While Colin and his new border Tom (Donal Donally) push Colin’s new brass bed home through the streets of London (which Lester shoots with a “candid camera” technique to elicit surprised reactions from unsuspecting onlookers) they “pick-up” Nancy, but Tolen moves in for the make while Colin chokes on small talk. Crawford’s underdog desperation and mix of innocence and desire makes for an appealingly nerdish hero but it’s Tushingham’s kooky charm and deft comic delivery that steals the film. Lester’s offbeat sense of humor and zippy pace drive this goofy romance and compendium of sight gags and non-sequiters, while John Barry’s lovely score balances the energy and invention with a tender romanticism.

HowIWonJohn Lennon gets second billing in How I Won the War (Kino Lorber Studio Classics, Blu-ray), Lester’s farce of confused priorities and skewed war stories in World War II but is no more than simply another member of the ensemble of confused, distracted and goofing soldiers under the command of Michael Crawford’s eager but incompetent Lt. Goodbody, a cheery upper class twit promoted to officer by virtue of class rather than any talent, intelligence or aptitude for leadership.

Lester had directed Crawford in the The Knack and Lennon in A Hard Day’s Night and Help!, which are all better movies than this well-meaning misfire of a black-humored satire as anti-war statement. The absurd mission movie (to build a cricket pitch in the North African desert in advance of the invasion) is an awkward mix of British music hall lampoon, “Goon Show” whimsy and absurdity, gallows humor and gruesome scenes of death (actual battle footage is edited into the comic chaos), sometimes inspired, sometimes mugging shamelessly in overworked performances and bizarre antics. Lennon’s impish goofing around the edges can be endearing, but the slapstick often falls flat and the collision of comedy and cruelty gets confused. The cult of John Lennon has made this an essential film for completists, but it’s little more than an oddity for everyone else.

BedSittingThe Bed Sitting Room (Kino Lorber Studio Classics, Blu-ray), adapted from the play by Spike Milligan (of “The Goon Show”), is another anti-war satire, this one a series of comic sketches about a post-nuclear London with a girl who is 17 months pregnant, a father who turns into a parrot, and others who become a chest of drawers and a bed sitting room.

All three have been previously available on DVD or DVD-R and are remastered for their respective Blu-ray debuts, and all three include the “Trailers From Hell” shorts on The Knack (with Allan Arkush) and The Bed Sitting Room (with John Landis) and a Lester trailer gallery.

Two years the label released Lester’s superb (and far too often overlooked) 1974 picture Juggernaut (Kino Lorber, Blu-ray, DVD), a kind of caper thriller about a terrorist who plants seven bombs on a luxury ocean liner. Richard Harris and David Hemmings are the disposal experts parachuted in to defuse the bombs and Omar Shariff is the captain who neglects his wife (Shirley Knight) under the pressure of the situation. It’s not a comedy by any definition—in fact, it’s a terrific thriller with as much personality as tension—but Lester weaves some terrific character humor through the picture, notably Roy Kinnear as the hapless Social Director, trying his best to keep spirits through the ordeal. Lester rewards the actor and his character with a lovely little moment of human tenderness amidst the chaos. This has never been on disc before and it is a welcome arrival as well as a good-looking disc. It’s not stellar but it’s mastered from a good source and has a strong image and color. No supplements.

More new Kino Lorber Studio Classics at Cinephiled