All six Pink Panther features directed by Blake Edwards and starring Peter Sellers as Inspector Clouseau are featured in this six-disc Blu-ray collection, four of them making their respective Blu-ray debuts.
Clouseau was but a supporting character in The Pink Panther (1963), a comic heist film with David Niven as the legendary jewel thief “the Phantom” out to steal a priceless diamond (called “The Pink Panther”) belonging to Indian Princess Claudia Cardinale, but Sellers’ mock-French accent and oblivious intensity made him the most memorable character. The bumbling French detective Clouseau also has a wife in this one, played by Capucine. Set in a posh Swiss resort and accompanied by an easy-going light jazz score by Henri Mancini, Blake Edwards’ mix of elegance and slapstick was a hit and Sellers was back as Clouseau in A Shot in the Dark(1964), this time without a wife, which gives him time to romance lovely murder suspect Elke Sommers. While the original film gave the series its name and its hero, it was A Shot in the Darkthat defined the series by putting Clouseau in the lead and introducing two essential series characters: martial arts wielding manservant Kato (Burt Kwouk), who keeps his boss in shape by ambushing him every time her returns home, and tormented Chief Inspector Dreyfus (Herbert Lom), who barely survives the walking disaster that is Clouseau.
The Party (Kino Lorber, Blu-ray, DVD) reunited Blake Edwards and Peter Sellers after a falling out during the second Pink Panther movie for a difference kind of comedy: a modern sound version of a silent movie comedy. They don’t pretend it’s a silent film, mind you, but rather build a series of visual gags on a basic premise—Peter Sellers as an accident-prone East Indian actor accidentally invited to dinner party by an A-list Hollywood producer—and then let the comedy bits sequences evolve, build on one another, and guide the story, like a feature version of a Chaplin short.
It opens with Sellers as Hrundi V. Bakshi, an imported actor wreaking havoc on the set of an American adventure picture (the phony “Son of Gunga Din”), and then watches him slowly bring chaos to a party in a magnificent modern Hollywood home. This place is complete with indoor ponds and an electronic control panel that operates retractable bars and floors throughout the home, like a modern version of Keaton’s The Electric House. Though Edwards started with a script, he largely gave the film over to improvisation, developing gags into sequences and letting them escalate and evolve with a skewed kind of logic.
This is an era when Caucasians still routinely played ethnic roles but despite the “brownface” make-up and accent, Sellers is less an ethnic caricature than a benevolent, well-meaning outsides to American culture in general and the Hollywood business world specifically. Almost upstaging Sellers is Steve Franken as a waiter who keeps knocking back drinks he’s supposed to be passing out guests and ends up stumbling through the party in a drunken daze. Claudine Longet co-stars as a sweet-natured young actress who sings a song at the party and connects with Sellers and Gavin McLeod stands out as a crude Hollywood producer. This isn’t as fall-down-funny as the best Pink Panther movies but it has a kind of purity and comic grace to it all, like an elaborately choreographed dance of physical comedy, and Edwards executes it with colorful design and sets it to superb Henri Mancini music. It’s the closest American answer to a Jacques Tati film I’ve seen.
It debuts on Blu-ray and gets a new DVD release from an excellent new HD transfer. The film has dynamic set design and a bright color scheme and the colors pop in this edition. Both discs carry over the featurettes and interviews from the earlier 2004 DVD release. The 24-minute “Inside The Party” covers the inspiration and production of the film and the 16-minute “The Party Revolution” looks as the pioneering video playback technology that Edwards used for the film and both feature interviews with Edwards, producer Walter Mirisch, associate producer and actor Ken Wales (who are also interviewed in separate profile pieces), and some of the supporting actors.
After the death of Peter Sellers in 1980, Blake Edwards made the unexpected decision to revive the Pink Panther film franchise by creating not one but two sequels simultaneously without the defining presence of Sellers in the lead as Inspector Clouseau. Trail of the Pink Panther (1982), the first of the two, utilizes previously unseen footage shot for previous Pink Panther features for a kind of memorial for Clouseau, who is sent once again to solve the robbery of the Pink Panther diamond (the jewel stolen in the original The Pink Panther (1963) and disappears, apparently dead in a plane crash. A reporter interviews friends, foes, and colleagues of the legendary detective, allowing Edwards to use classic clips from the series.
Curse of the Pink Panther (1983) picks up the premise months later and spins it into an attempt to launch a new character under the Pink Panther brand. Clouseau’s boss and nemesis Chief Inspector Dreyfus (Herbert Lom) is directed to use a supercomputer to find the world’s greatest detective to find France’s greatest detective. Since only a complete moron on the level of Clouseau has any hope of figuring him out, he reprograms the computer search for Clouseau’s perfect match: the worst detective in the world. Enter Sergeant Clifton Sleigh (Ted Wass) of the New York Police Department, a walking disaster area that his commanding officer is overjoyed to pack off to Paris. Immediately upon reporting to duty, his clumsiness sends Dreyfus to the hospital.