He tends to alienate the veteran officers with his intellect and his abrasive, argumentative attitude and Thursday protects him from the older commanding officers, though by the final mystery of this set Thursday is pressured to retire, which leaves Morse with little incentive to remain. More interesting than the personal conflicts of this series is the way that the four mysteries reveal an environment of intolerance and abuse and, in the final mysteries, a culture of corruption that goes back decades and reaches to the most powerful people in Oxford. And on a lighter note (because it can’t all be gloomy and dire), Endeavour starts dating a nurse in his apartment building. This series forges its own identity unique from the beloved “Inspector Morse” series and the second series develops the show into one of the best British mysteries running today. Four feature-length mysteries on two discs on Blu-ray and DVD. The discs offer the complete British versions of the shows, which are longer than the versions broadcast on Masterpiece Mystery on PBS.
The second season opens with Sarah (the streetwise orphan) searching for her kidnapped daughter and Cosima (the scientist) working with the shadowy group run by Rachel (the cold, manipulative one) to find a cure for the illness that is beginning to appear in the clones. Maslany also plays an alcoholic suburban mom and a crazy assassin who is only slowly learning to trust her sisters, and amazingly she makes all five these characters riveting. The complications include a survivalist religious cult that wants to give birth to more clone offspring, a former boyfriend (Michel Huisman of “Game of Thrones”) who helps Sarah hide out from the research group, and the accidental murder of a manipulative scientist. The cover-up of this crime oddly enough helps repair a failing marriage, just one of the bits of dark humor that helps it overcome the otherwise familiar collection of mix-and-match tropes.
And it’s not just Maslany who energizes the show. Jordan Gavarish is quite winning in a splashy role as Sarah’s devoted foster brother and Maria Doyle Kennedy is wonderfully enigmatic and ferocious as Sarah’s shadowy foster mother, a member of a resistance group that she realizes is also untrustworthy. Like so many conspiracy thrillers, these folks learn that the only ones they can trust are family, however they define it. That’s what ultimately has made the show a cult favorite.
10 episodes on Blu-ray and DVD, with a “Cloneversation” interview hosted by Wil Wheaton, deleted scenes, and four behind-the-scenes featurettes among the supplements.
The series runs on Lifetime, where women are the focus, but it also borrows from shows like The Vampire Diaries and Once Upon a Time, where attractive stars and hot and sexy romances spice up the drama. The cheesecake is spread evenly across the sexes here, with Dewan-Tatum in revealing blouses and steamy sex scenes (lots of them dream sequences) with not one but two hot guys, her rich fiancé (Eric Winter) and his rebellious, bad-boy brother (Daniel DiTomasso), who is clearly trouble because his face is in perpetual five o’clock shadow. And the two “matrons” of the show, Ormond and Amick, are just as confident and gorgeous, with Amick’s Wendy constantly losing her clothes after shapeshifting into a cat and back again (it’s commercial cable so no nudity, just a lot of skin and suggestion). It makes you wonder if the creators were hoping to snag some male viewers into the estrogen drama, or maybe just acknowledging lesbian viewers along with the straight audience.
Whatever the demographic appeal, the show is fun and winning thanks to the strength of the four actresses and the family bonds that grow and strengthen along the season of discovery for the two daughters and the reconnection of the estranged sisters overcoming past conflicts to bond over their pact to break the curse and protect the two girls from death this time around. Virginia Madsen co-stars as a Freya’s future mother-in-law and Enver Gjokaj, Jason George, Tom Lenk, and Joel Gretsch co-star.
10 episodes on three discs, plus a featurette, deleted scenes, gag reel, and a collection of bloopers with the cat. Also available to stream from Netflix.
The volatile culture of the setting enriches the procedural but it’s the partnership of American homicide detective Sonya Cross (Diane Kruger), an obsessive, brilliant, by-the-book cop with borderline Asperger’s symptoms, and Chihauhau State Police detective Marco Ruiz (Demian Bichir), a moral cop in an amoral system who latches on to this cross-jurisdictional case because it may allow him to do real police work unencumbered by corrupt bosses, that defines the show. They are a great team, with his ability to charm, cajole, and put people at ease teaching her a thing or two about the human side of the job and her genius putting together disparate clues into a pattern that eludes everyone else.
I also appreciate how the show doesn’t keep playing games with the identity of the killer and even solves the case before the season is over. Because the show, with its diverse cast and multiple storylines intertwining, is about more than this one case. As we get pulled into the characters and the tension between the cultures on either side of the border crossing, it reminds us that there is far more wrong here than a serial killer targeting a few victims and leaving the clues out for the detectives. There are hundreds of murders and missing women on the Mexican side that Americans never confront because that problem belongs to another country. Except that the relationship between the territories is much more complex than that and the series explores the way the cultures and economies and criminal enterprises are intertwined. Ted Levine, one of my favorite character actors, plays Sonya’s protective commanding officer, Annabeth Gish is the widow of a landowner who discovers her husband’s underworld activities after his death, Matthew Lillard and Emily Rios are reporters, and Catalina Sandino Moreno is Marco’s wife, who plays a more central role in the story as it unfolds.13 episodes on four discs on DVD, with commentary on the pilot episodes, two featurettes and deleted scenes. Also available to stream from Hulu Plus.
This is a good time to remind you that The Bridge: Season One (Denmark) (MHz, DVD), the original Scandinavian series, is also now available. The show opens with a murder victim found in the middle of a bridge between Sweden and Denmark, but that’s only the beginning of the complications. Police from both countries discover that it’s actually two bodies cut in half and stitched together into a single corpse, and have to work together across borders. 10 episodes on four discs on DVD, all in Swedish and Danish with English subtitles, with cast and crew interviews.
Liev Schreiber is the title character, a tough, emotionally unflappable fixer for LA’s celebrities, the man who makes scandals and legal problems for famous clients go away, or does what he can to mitigate the damage of their misdeeds when it’s too late to cover them up. He’s also the protective brother who looks after Terry (Eddie Marsan), a former boxer damaged by his years in the ring now running a gym, and Bunchy (Dash Mihok), an alcoholic in rehab who has never gotten over the abuse he suffered at the hands of his priest. He loves his wife (Paula Malcomson) and children and is determined to keep them apart from the celebrity culture of excess and entitlement, but is so committed to his work that he has little time to spend with them, which puts a strain on the marriage. And he has never forgiven his father for his neglect and abuse, which creates tensions when Mickey gets out of prison early and tries to get back into his sons’ lives, reopening old wounds and creating new ones along the way.
It’s an interesting mix of cultures, the dark family drama with Boston Irish crime connections and the show business scandals in the shadows of sunny Los Angeles, and it gives the series an outsider’s perspective on it all. It’s also a rather grim and downbeat show, without much humor to leaven the heaviness of the family turmoil, centered by a strong performance by Schreiber. One of Hollywood’s most underrated actors, he carves out his version of the familiar anti-hero with a ruthless dedication to his job, a temper he mostly keeps in check, and a moral code, a man who will do almost anything for a client but will cross the line for family. Steven Bauer co-stars as Ray’s right hand man and James Woods guest stars as a vicious Boston hitman modeled on Whitey Bulger.
12 episodes on Blu-ray and DVD, no supplements.
They aren’t so much an odd couple set of partners as simply colliding personalities who have to work to get along enough to solve cases, but they both agree that something is not right with their current case, which has similarities with other unsolved murders, cryptic clues with cult dimensions, and a murky trail that leads them to a regional church, a white supremacist organization, and a legacy of corrupt cops who have muddied the waters with bad police work and cover-ups. It jumps back and forth through time, framed by interviews with the two detectives years after the investigation ended without an arrest, and seems to be heading into supernatural territory, but ultimately the scariest revelation of the story is how such evil can continue for decades because of corruption, special interests, and institutional incompetence.
Harrelson and McConaughey inhabit rich, complicated, terribly flawed characters and Michelle Monaghan plays Hart’s wife, frustrated by his affairs and his lies, but also unable to deal with his failure to communicate as the case takes a toll on his psyche. It is beautifully written and directed, with haunting imagery and challenging subject matter, and it delves into dark territory. Not just the worlds they investigate but their own instincts and impulses and self-destructive choices. Pizzollato is working on a second series which will feature new characters and an entirely new story. Not a sequel as much as a follow-up television novel in the same spirit.
Eight episodes on DVD and Blu-ray, with commentary on two episodes by creator Nic Pizzollato and select collaborators, short “Inside the Episode” featurettes on each episode, the brief “Making True Detective,” interviews featurettes with stars Matthew McConaughey and Woody Harrelson and creator / writer Nic Pizzollato with music director T Bone Burnett, and deleted scenes. Both feature an UltraViolet Digital HD copy of the season.
“Hi, Bob!” Button-down comedian Bob Newhart plays TV’s most famous therapist, Chicago psychologist Bob Hartley. It was the comedian’s first TV show and he was perfect casting for the ever-calm (at least on the outside) in the center of the neurotic storm swirling around him, be they friends — the insecure airline pilot neighbor Howard Borden (Bill Daily) and overconfident orthodontist Jerry Robinson (Peter Bonerz, who also directed many episodes) – or patients. Bob only seems like a rock of stability until he’s next to his down-to-Earth wife, elementary school teacher Emily (Suzanne Pleshette), who has the corner on normalcy in this professional couple.
It may not have seemed like it at the time, or even necessarily in retrospect, but The Bob Newhart Show was a pioneering sitcom in ways similar to Mary Tyler Moore, and it’s no coincidence that it was created by two veteran writers from Mary Tyler Moore, Lorenzo Music and David Davis, and produced by the same production entity, MTM Enterprises. Bob and Emily were a happily married childless couple in a Chicago high rise condo and in a break from age-old conventions, where every married couple slept in separate beds, they shared a king sized bed and a continuing sex life.
Marcia Wallace co-stars as his lively receptionist Carol, yet another distinctive personality in the defining mix of the series, and Jack Riley, Florida Friebus, and John Fiedler were among the regulars in the weekly group therapy sessions in Bob’s downtown office, where Bob Hartley did what Bob Newhart did best: watch, listen, react. As series co-creator Lorenzo Music observed, “Bob listens funny…” Newhart’s muted delivery and blank stares make him not only the funniest straight man on TV, but a master of the deadpan gag, the slow motion stammer, and the delayed reaction laugh.
The hit sitcom ran for six seasons, anchoring CBS’s unbeatable Saturday night comedy block from 1972 to 1978, when Saturday nights were still a major ratings bonanza for the networks. The show even spawned drinking game: knock one back every time someone says “Hi, Bob.”Seasons One through Four have been previously released on DVD by Fox. This set makes the entire series available for the first time: 142 episodes of the show’s six seasons on 19 discs in a box set, plus the original unaired version of the series pilot episode, the “Bob Newhart Show 19th Anniversary” reunion special from 1991, and the new interview featurette “Group Therapy” with Newhart, stars Peter Bonerz, Jack Riley, and Bill Daily, and producer / director Michael Zinberg. Carried over from the previous disc release are commentary tracks by Bob Newhart, Suzanne Pleshette, Peter Bonerz, Marcia Wallace, Jack Riley, Tom Poston, writer / co-creator David Davis, director James Burrows, and others, on 13 episodes across seasons two through four. The set’s only design flaw is failure to identify the commentary tracks on episode listings, the episode guide booklet, or the discs themselves. You have to go through the “Bonus Material” section of the disc menus to find them.
David Bradley plays William Hartnell, the aging veteran actor who reluctantly takes on the role in what he sees as just a kid’s show, and Jessica Raine is Verity Lambert, the former production assistant given the assignment of creating a prime time family show by her mentor (Brian Cox), now a ranking executive at the Beeb. She’s the first female producer at BBC and her director, Waris Hussein (Sacha Dhawan), was a rare director of Indian descent, and their stories are a small but important part of this portrait of an institution in transition. Together they overcome budgetary limitations with flights of fantasy and creative special effects and the show recreates iconic events in the first four years of the series, from the series debut getting clobbered when it had the unfortunate luck of showing the night (British time) of the assassination of President John F. Kennedy to the first appearance of the Daleks to the explosion of Who-mania in Britain.
The Hartnell we’re presented here is a prickly old man who isn’t always easy to deal with but brings a warmth to the role of The Doctor. Bradley has played his share of grumpy old men, notably the caretaker Filch in the “Harry Potter” films, but he’s quite touching here as the frail veteran who, in the last years of his long career, becomes a pop culture sensation. It’s a late reward that takes its toll—he’s old, losing his memory, and exhausted by the demands of the role—and he offers a poignant performance.
For fans of the show, it’s a loving recreation of the original series art design and special effects along with key moments and characters of the show, but it’s more than simply an extended exercise in insider fandom. If all you know is the current incarnation, this is an entertaining, informative, and rather moving introduction to the birth of the phenomenon.
The Blu-ray+DVD Combo includes a featurette, deleted scenes, recreations of original Who scenes using original Marconi camera, and a bonus DVD featuring the first Doctor Who adventure, “An Unearthly Child,” starring William Hartnett at the Doctor and directed by Waris Hussein.
We’re not talking supermax here, and there’s nothing out of Oz or a seventies women-in-prison picture here. This is a mix of social drama and social satire, with a low key humor running under the very real sense of threat hanging over the entire situation. Schilling’s Piper Chapman comes from affluence, a college education and a young adulthood that allowed her the freedom to travel around the world and rebel against everything her parents stood for without worrying about little things like making a living. She’s since gotten that out of her system and is getting ready to marry (to Jason Biggs) and start her business when her past catches up with her and turns herself in to serve a year in women’s prison where she meets women who have been looking after themselves any way they can all their lives. It takes a few weeks to get her expectations adjusted and her missteps and unguarded comments have a habit of getting her into trouble.
What makes this so good is the rich cast of diverse characters who bring with them experiences not usually seen on the screen. The fact is, the prison population is racially mixed and dominated by poor and working class women who got caught up in crime out of desperation, not some youthful lark. There are some angry women in here, a few unbalanced and unpredictable as well. I much prefer this to Kohan’s “Weeds,” which played criminality for laughs and made light of the violence inherent in her world. The humor is more barbed and troubling here, the characters have the weight of lives behind them, and while it favors Piper’s experience, the show is at its best an ensemble piece and every character gets to tell her story along the way. Uzo Aduba’s “Crazy Eyes” stands out as a fan favorite, a truly unpredictable character who seems to enjoy letting people think she’s crazier than she is, and Kate Mulgew, Natasha Lyonne, Danielle Brooks, Taryn Manning, and Michelle Hurst are among the fellow inmates.
Netflix doesn’t share its viewership numbers but all indications suggest that Orange is the New Black is actually watched by more subscribers than their marquee series House of Cards. It certainly offers a much more diverse cast and a less rarified culture on the screen. You won’t mistake this for a social realist drama, but the microcosm of this community offers characters and experiences we can relate to more easily than the Cards culture of power brokers and political players.
13 episodes on Blu-ray, DVD and Digital formats. The disc editions include producer commentary on two episodes and four featurettes. The second season debuts on Netflix on June 6, with entire season available at once.
Hill Street Blues: The Complete Series (Shout Factory, DVD) – Steven Bochco had racked up over 15 years of writing and producing credits when he revolutionized the cop drama with this groundbreaking series, an ensemble serial set in an unidentified inner city precinct, that he co-created with Michael Kozoll. The culture of poverty, rampant crime, racial tensions and the combustible presence of volatile gangs sets the tone of this big city beat while the handheld camerawork gives it a docu-look and feel unique among primetime shows (and later to be picked up by such shows as Homicide, NYPD Blue, The Shield, The Wire and any number of series). But it didn’t just change the face of police dramas. It set the stage for shows of all genres to present stories that play out over multiple episodes or weave in and out of the season, gave us characters that evolved over the course of the show, and focused more on the lives of the men and women in blue than on the case of the week. It wasn’t about solving a mystery, it was about engaging with suspects, victims, civilians, and each other.
The style and tone is established right in the series pilot, which opens on the defining morning roll call, the noise and jovial chaos of the precinct house—a first on TV cop shows—and the trademark “Let’s be careful out there” (uttered by Michael Conrad) and ends with officers Hill and Renko (Michael Warren and Charles Haid) shot by drug squatters in an abandoned building and left for dead. In between we get Precinct Captain Frank Furillo (Daniel J. Travanti), his emotionally frayed ex-wife (Barbara Bosson), a hostage situation and a colorful squad of detectives, uniforms and officers alike, including the indefinable, cigar-chomping Det. Belker (Bruce Weitz), who looks like a derelict and growls (and sometimes bites) like a dog. Veronica Hamel is the hardcase defense attorney who makes Furrillo’s job harder by day and then meets up as his secret love by night and the squad is filled out by Joe Spano, Taurean Blacque, Kiel Martin, Rene Enriquez, Betty Thomas, Ed Marinaro (who joins the cast mid-season) and James B. Sikking as the military vet who runs their tactical unit.
You can spot young David Caruso as an Irish gang member popping up in the first few season and Dennis Dugan guest stars as the self-styled long underwear hero Captain Freedom, an addled innocent who winds up in an unusual relationship with Belker, in a major arc in Season Two. When Michael Conrad found out he had cancer, his character faced it on the show and his death reverberated through the squad as much as it must have through the cast. Dennis Franz appeared in the third season and then joined the cast in its final seasons with a character who was an early draft of his NYPD Blue anchor Sipowicz. And the show’s staff of writers and producers launched the next generation of grown-up American TV, David Milch (NYPD Blue, Deadwood), Dick Wolf (Law & Order and spin-offs), Anthony Yerkovich (Miami Vice) and Mark Frost (Twin Peaks) among them. David Milch won an Emmy for his first episode of the series: “Trial By Fury,” the opening episode of the third season. The volatile storyline—the rape and murder of a nun by a couple of thieves—is set in the sweltering atmosphere of a heat wave and a neighborhood fanned by the flames of fury into a veritable lynch mob out for blood.
The show picked up 26 Emmy Awards (including Outstanding Drama Series four years running), all in its first five seasons (Bochco was fired after that and the show never recovered), and while it was never a ratings powerhouse (it was almost cancelled after its first season) it was a prestige program with a desirable demographic. I watched the first few seasons religiously when I was in high school and I am happy to report that the show remains as strong decades later. Smart writing, rich characters, great stories and a superb ensemble makes for an enduring show.
The first two seasons of Hill Street Blues were released by Fox back in 2006 but none of the other seasons have been available until this release from Shout Factory: all 144 episodes and seven seasons on 34 discs in a box set with seven cases (one per season, of course). There’s commentary on four episodes (all carried over from the earlier disc releases) and a bonus disc with new supplements: the hour-long “The History of Hill Street” with Steven Bochco and members of the cast, the 20-minute “Writers on the Hill” with Bochco and staff writers Jeffrey Lewis, Robert Crais and Alan Rachins, and interview featurettes “Benedetto and Buntz” (with Dennis Franz) and “Lt. Howard Hunter” (with James B. Sikking), all produced for this release. Carried over from the 2005 DVD releases are the 50-minute retrospective featurette “Roll Call: Looking Back at Hill Street Blues” with a reunion of cast members Barbara Bosson, Veronica Hamel, Joe Spano, Ed Marinaro, James B. Sikking, Bruce Weitz, Michael Warren and Charles Haid, and the interview featurettes “Belker Unleashed” (Bruce Weitz), “A Cowboy on the Hill” (Charles Haid) and “Confessions of Captain Freedom” (second season guest star Dennis Dugan). The accompanying 24-page book features an essay by Tom Shales along with the episode guide.
Based on the memoirs of British writer Molly Lefebure, it stars Patrick Kennedy as Dr. Lennox Collins, a brainy civilian serving as police coroner during the war, and Tamzin Merchant as quick-witted newspaper reporter Molly Cooper, drafted by Lennox to be his secretary when she proves to be smart, gifted, and unfazed by dead bodies. They are a classic TV crime duo, the brilliant but socially maladroit coroner who clashes with the conservative detectives who don’t trust his science and the spirited, bubbly female partner who isn’t shy about sharing her ideas or going undercover, dropped into the social and physical upheaval of London during the Blitz. Kennedy underplays the part a little, which could use some development (assuming there are more mysteries to come) but Merchant fills in the personality vacuum with overflowing enthusiasm. (Trivia note: Merchant was the original Daenerys Targaryen in Game of Thrones in the pilot but recast when the show went to series.) David Sturzaker and Iain McKee have rather thankless roles as the stubborn, plodding police detectives but they are finally given a little personality by the third act as take a little initiative of their own.
The mystery involves a serial killer who leaves swastikas carved in the tongues of his female victims, a Nazi Jack the Ripper so to speak, and is complicated by interference and obstruction from high command trying to shut down the investigation. But where other wartime mysteries take a serious, dour approach, this has the lightness of a romantic thriller in the darkness of the Blitz. When sudden death is a daily possibility, the population lives life even harder through a wild nightlife in a thriving club scene roaring between the air raids. The finale makes great use of the maze of tunnels off the London Underground.
Blu-ray and DVD with a six-minute “Interviews with Cast and Crew,” which is basically a colorful promo piece.
Alec is brusque and professional in a town where everybody knows everyone else and he calls out Ellie for trying to be everyone’s friend when she should be pressing them for facts. It’s a cozy little community and she can’t fathom that any of them would be under suspicion, but as Alec reminds her, everyone that they interview would be capable of it. Why is another matter.
Broadchurch is a murder mystery in a small town and like other exemplars of the genre, secrets and lies are uncovered in the investigation, like insects hiding under rotting boards suddenly lifted and exposed to the light of day. But this isn’t one of those British mystery cozies of colorful suspects in a picaresque setting. The show, created and written by Chris Chibnall, creates a community of fully-realized characters with long histories and complicated lives. This story is about how the death and the revelations of hidden lives reverberate through the community, complicated by the often mercenary media coverage by reporters who, through the course of the story, have to face the damage of their actions as well. Things like this aren’t supposed to happen in a town like Broadchurch, which just makes the ordeal harder to fathom, and easier for emotions to spiral out of control and suspicions to rush judgment.
The series was designed to be a stand-alone mini-series and the story does indeed come to a very satisfying end, which true to the show has plenty to work through after the arrest of the killer, but it was so popular when it ran in Britain that a second series was announced. (It played stateside on PBS over the summer.) Hard to imagine where it might go from here, as this eight-episode story is so beautifully self-contained. An American remake is also in the works.
Eight episodes on three discs, with the 27-minute featurette “Broadchurch: Behind the Scenes,” which doesn’t have much behind-the-scenes footage but lots of cast and creator interviews. It does reveal, however, that the actors weren’t told who the killer was when they began shooting.