The Academy Awards will be handed out on Sunday, February 24. Are you caught up on the major nominees?
Eight films made the cut in the category of best picture and a few of them are still in theaters, notably the offbeat royal drama The Favourite (2018, R), which came away with ten nominations, political commentary Vice (2018, R) which scored eight nomination, and Green Book (2018, PG-13), with five nominations in all.
Also still in theaters is Spider-Man: Into the Spider-Verse (2018, PG), the current favorite in the animated feature category.
A number of nominated films, however, are already available to watch at home. Here’s an easy guide to what you can see and how you can see them.
Two of the top nominees are currently available to stream on Netflix. Roma (Mexico, R, with subtitles) and Black Panther (PG-13).
What is the classic movie fan to do in the era of Netflix? For a few glorious years FilmStruck was our salvation, offering a rich, well-curated collection of films from the silent era through the 1970s, something Netflix gave up on years ago.
So with FilmStruck dead, where can the fan of classic movies—let’s say, just for the sake of argument, anything older than 40 years—get their fix without resorting to renting each and every title on iTunes or Fandango?
Here’s what’s new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video-on-demand, and other streaming services …
Netflix broke with its policy for the release of The Ballad of Buster Scruggs (2018, R), the American frontier comedy from the Coen Brothers. Initially planned as a six-part series featuring the likes of James Franco, Liam Neeson, and Tim Blake Nelson, it was reworked as an anthology film and released to theaters a week before the streaming debut.
“The Ballad of Buster Scruggs is one of the darkest movies by Joel and Ethan Coen, and also among the silliest,” observes New York Times film critic A.O. Scott. “It swerves from goofy to ghastly so deftly and so often that you can’t always tell which is which.
Michael Douglas is a has-been actor who reinvents himself as a Hollywood acting coach in The Kominsky Method: Season 1. Alan Arkin co-stars in the Netflix Original comedy from creator Chuck Lorre.
Two new British co-productions explore fluid sexuality in the modern world. The Hulu Original series The Bisexual: Season 1 stars creator Desiree Akhavan as a lesbian New Yorker in London struggling to come out at bisexual. All six episodes now streaming on Hulu.
The cheeky British comedy Sally4Ever: Season 1 from creator Julia Davis, who stars as a seductive free spirit who tempts a suburban woman into a wild affair, begins on HBO with new episodes each Sunday.
Megan Griffiths’ Sadie (2018, not rated), an independent drama about an angry teenager (Sophia Mitri Schloss) who sabotages the romantic prospects of her single mother (Melanie Lynskey) while her soldier father is overseas, is now on VOD. Shot in Washington State, the film co-stars John Gallagher Jr.
Classic picks: Sidney Lumet directs the Oscar-winning satire Network (1976, R) with Faye Dunaway and William Holden and robbery-gone-wrong classic Dog Day Afternoon (1975, R) with Al Pacino and John Cazale.
The most expensive German TV series ever produced, Babylon Berlin, is Weimar noir, a detective drama turned conspiracy thriller set against the backdrop of decadence, poverty, and corruption in 1929 Berlin just before the Nazi party rode the swell of nationalism to power. Think Cabaret meets L.A. Confidential as produced by UFA, recreating a cultural moment that is about to implode.
Gereon Rath (Volker Bruch), a Cologne cop working with the Berlin vice squad, is a World War I vet who conceals his shellshock tremors with black market morphine. He’s a tarnished hero on a covert mission to track down a pornography ring blackmailing a politician back home, but then pretty much everyone has shadows over them.
The Red Road: The Complete First Season (Anchor Bay, DVD) – Sundance TV (formerly The Sundance Channel) continues to establish its own brand of intelligent, dramatically compelling TV shows with this atmospheric series set in rural New Jersey.
A small town cop (Martin Henderson) enters into a wary partnership with a drug-dealing ex-con (Jason Momoa) from a nearby Native American tribe to cover up a hit-and-run that his wife (Julianne Nicholson), a recovering alcoholic, committed during what seems to be a relapse. In fact, it’s much more, which only makes Henderson more protective (to the point of denial). There’s an uneasy relationship between the town and the tribe, which is fighting for formal recognition from the government while struggling with poverty and crime, that is exacerbated by a forbidden romance between the cop’s teenage daughter and the ex-con’s young half-brother. The physically imposing Momoa, who played both Conan and the barbarian king from the first season of Game of Thrones, adds a dangerous edge to the drama simply by his presence, radiating anger and resentment from his every glance.
Following in the tradition of shows like Rectify and The Bridge, the series is deeply embedded in the cultural and regional specificity of the setting. It’s not just the social politics of the moment but a whole history fraught relations that hovers over the drama, and the idea of heroes and villains gets murky in a drama where the characters share a complicated history that is slowly revealed through the course of the six-episode season.
It has the look and feel of an American independent feature, helped immeasurably by James Grey (The Immigrant) helming the first episode and Lodge Kerrigan (Keane) directing two subsequent episodes of the series. They are instrumental in setting the careful, moody atmosphere. Supporting turns by Tamara Tunie, Tom Sizemore, Mike Farrell, and Lisa Bonet add to the weave of complicating factors.
Six episodes on DVD with three featurettes. It’s also streaming on Netflix.
The second season of Arrow, the first major TV superhero success story in the wake of the “Dark Knight” / Marvel Universe revolution, arrives on Blu-ray and DVD today, as well as full-season digital purchase.
It was also supposed to become available on Netflix streaming over the weekend. Originally scheduled for Sunday, September 14, the Netflix release was pushed to October 8 at the last minute. That’s the same date as the Season 3 premiere, which means no binge streaming to catch up before the new season beings. Disc and digital purchase is the only way to see the second season until then (you can watch five select episodes of the second season on Hulu, but that’s it).
It’s proven good business to make previous seasons available a couple of weeks in advance of the new season to build up excitement among fan and entice new viewers to tune in but Warner Bros. Television, which produces the show, has its eye on sales this time. The last minute delay is designed to boost sales on Blu-ray, DVD and digital platforms.
Arrow is the type of show that generally does well in disc sales—genre-oriented with a passionate fan base that likes to own its favorite series—and the disc editions are packed with supplements and include Digital HD Ultraviolet episodes for streaming.
Fans were not happy and the fan-oriented sites have tripping over themselves to get the details ever since the series failed to appear on Netflix on Sunday.
The Good Wife: The Fifth Season (Paramount, DVD) is the rare network drama that has found its voice and improved over its run, delivering both a clever and engaging legal show with cases and twists and offbeat characters that rival David E. Kelly’s show at their best, and an adult drama with real stakes and consequences for every choice, personal and professional. The professional complications come right away as Alicia (Julianna Margulies) plotting to leave Lockhart Gardner and start a new firm with fellow associate Cary (Matt Czerny), a secretive scheme that turns into a war with former colleagues Will (Josh Charles) and Diane (Christine Baranski). The split forces Kalinda (Archie Panjabi) to take sides and creates tension between the firm and Governor Peter Florrick (Chris Noth), who is still Alicia’s husband if only in name and public appearance.
Margulies remains the center of the show but this is an ensemble with an expanding universe of characters—this season introduces mob-connected lawyer Damian Boyle, a new hire for the firm, and brings back Nathan Lane as a new colleague in the fledgling firm, Carrie Preston as an eccentric attorney, and Michael J. Fox as cunning rival Louis Canning who takes an interest in Lockhart/Gardner—but Charles dominates as Will, who goes on the offensive with a ferocity previously unseen in his character, while Baranski finds herself in a crisis of her own. For fans of the show, this is a significant season due to a dramatic death. A lot of dramas would play it for shock value but creators Michelle and Robert King work the event into the fabric of the series and the show spends a good part of the season exploring the way the characters deal with the loss personally and professionally.
22 episodes on six discs on DVD, with two featurettes (including an in-depth look at the key episode where a major character is killed), a music video, and deleted scenes. No streaming option yet beyond Digital VOD.
Too Much Johnson, the Orson Welles film (or rather film project) that was long thought lost (the last print was reportedly destroyed in a fire in Welles’ Spanish home in 1970), was found a few years ago and restored. It’s not a feature or even a short, per se, more of an experiment shot to accompany a production of the theater farce “Too Much Johnson,” but at least the first section plays just fine on its own as a tribute to silent slapstick comedy with Joseph Cotten doing Harold Lloyd antics and Buster Keaton chases as a serial philanderer pursued by a jealous husband. The film was unfinished but mostly complete and you can watch both the workprint and a “reimagined” version with the outtakes removed at the National Film Preservation Foundation website. An HD version of both are available through the subscription streaming service Fandor.
I wrote an essay on the film for Keyframe: “This would all be interesting but academic if it wasn’t also entertaining and Too Much Johnson is a hoot. The prologue was designed to open the play, introduce the characters and situations, and set the racing pace for the stage scenes with a wild slapstick chase through the streets of New York to the ship that carries the story to Cuba. It plays just fine on its own (with an assist from intertitles added by NFPF), like an open-ended Mack Sennett farce that races through German Expressionism and Russian Formalism on the way to the docks. The subsequent sequences, both much shorter and apparently incomplete, are not as self-contained or coherent but they do feature some eye-opening moments for Welles fans.”
The third wave of Amazon Prime Instant Video Pilot Season shows will be available to sample on Thursday, August 28. As in previous waves, Amazon has made the pilot episodes of five new shows available to all Amazon customers (you don’t have to be a Prime member to watch them), and they will decide which shows move forward to full series based on audience feedback.