Ernst Lubitsch was the master of the silent movie comedy of high society manners and lusty passions and he crossed over to sound with the grace of his cultured characters, adding music and dialogue sparkling with veiled suggestion to his opulent romantic comedies of manners and mischief. Lubitsch Musicals presents four of the delicious, delectable, deft sex comedies, musicals as earthy and randy as they come, but presented with such wit and elegance that the innuendo isn’t dirty, it’s just fun. The rich and beautiful are just as lusty as the rest of us, but they have style, at least when Lubitsch is directing them
One would be hard put to actually describe the legendary Lubitsch Touch – it’s as much attitude as style – but there’s no mistaking the smooth elegance, continental wit, and winking innuendo of his best films. This set, from Criterion’s no-frills Eclipse series, charts Ernst Lubitch’s first sound films with the DVD debuts of his first four playfully adult musicals, three of them starring the perfectly-cast Maurice Chevalier. “The Love Parade” (1929), starring Chevalier as a womanizing military attaché with eyes for American in Paris Jeanette MacDonald, was not just Lubitsch’s first talkie but a sophisticated musical at the birth of the cinematic genre. The film marked MacDonald’s film debut and she returned for Lubitch’s next musical, Monte Carlo (1930), playing a countess romanced by a sly count (Jack Buchanan) who poses as a hairdresser to get into her boudoir. How Lubitsch!
The set also features The Smiling Lieutenant (1931), a seductive triangle with Chevalier, Claudette Colbert and Miriam Hopkins, and One Hour With You (1932), a remake of Lubitsch’s silent masterpiece The Marriage Circle with Chevalier and MacDonald.
Another highlight this week is Academy Awards Animation Collection: 15 Winners, 26 Nominees, a three-disc collection of animated shorts from the libraries of MGM, Warner Bros., and the Fleischer Studios. I’m actually far more enchanted by the two discs of nominated films than the disc of winners, which is dominated by Hanna-Barbera “Tom and Jerry” cartoons. But then I’m a Chuck Jones guy, and most of his pieces (as well as work by Tex Avery and the Fleischers) are among the nominated films:
“From A to Z-z-z-z” (1954) is the first of only two cartoons featuring the unlimited imagination of schoolboy Ralph Philips, “High Note” (1960) is a memorable Merry Melody featuring a drunk musical note stumbling and hiccupping through “The Blue Danube,” and “Now Hear This” (1963) is a delightfully abstract tale of sound effects morphing into surreal imagery.
The set includes numerous cartoons released on previous sets (only 15 are new to DVD), but for those who haven’t invested a few hundred dollars in their animation collections, they make a great sampler of the best, the funniest, and the most creative cartoons from the classic age of studio animation.
Also check out the box sets Joan Crawford Collection Vol. 2 (which includes George Cukor’s A Woman’s Face) and Charlie Chan Collection: Volume 4 (which collects the first four features starring Sidney Toler, who took over from Warner Oland). Continue reading “DVD of the Week – ‘Lubitsch Musicals’ – February 12, 2008”