Category: DVD

Aug 28 2014

Videophiled TVD: ‘The Good Wife: The Fifth Season’

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The Good Wife: The Fifth Season (Paramount, DVD) is the rare network drama that has found its voice and improved over its run, delivering both a clever and engaging legal show with cases and twists and offbeat characters that rival David E. Kelly’s show at their best, and an adult drama with real stakes and consequences for every choice, personal and professional. The professional complications come right away as Alicia (Julianna Margulies) plotting to leave Lockhart Gardner and start a new firm with fellow associate Cary (Matt Czerny), a secretive scheme that turns into a war with former colleagues Will (Josh Charles) and Diane (Christine Baranski). The split forces Kalinda (Archie Panjabi) to take sides and creates tension between the firm and Governor Peter Florrick (Chris Noth), who is still Alicia’s husband if only in name and public appearance.

Margulies remains the center of the show but this is an ensemble with an expanding universe of characters—this season introduces mob-connected lawyer Damian Boyle, a new hire for the firm, and brings back Nathan Lane as a new colleague in the fledgling firm, Carrie Preston as an eccentric attorney, and Michael J. Fox as cunning rival Louis Canning who takes an interest in Lockhart/Gardner—but Charles dominates as Will, who goes on the offensive with a ferocity previously unseen in his character, while Baranski finds herself in a crisis of her own. For fans of the show, this is a significant season due to a dramatic death. A lot of dramas would play it for shock value but creators Michelle and Robert King work the event into the fabric of the series and the show spends a good part of the season exploring the way the characters deal with the loss personally and professionally.

22 episodes on six discs on DVD, with two featurettes (including an in-depth look at the key episode where a major character is killed), a music video, and deleted scenes. No streaming option yet beyond Digital VOD.

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Aug 26 2014

Videophiled: Emmy-winner ‘The Normal Heart’ on Blu-ray and DVD

NormalHeart

The Normal Heart (HBO, Blu-ray, DVD, Digital HD), the made-for-HBO feature based on Larry Kramer’s play and directed for cable by Ryan Murphy, arrives on disc the day after winning the Emmy Award for Outstanding Television Movie. Kramer wrote the play in 1985, based in part on his own experiences as a gay activist in the early years of the AIDS crisis, and it captures an era when thousands of gay men were dying yet the mainstream media shied from reporting on the plague (as it was called then) and government officials would not even say the name AIDS in public. 30 years out of time, it seems more of a polemic than ever but it also captures the fear and fury of the men in the community facing a crisis that even the government won’t acknowledge.

Mark Ruffalo takes the lead as Ned Weeks, a writer and activist that Kramer based on himself. He’s the rabble rouser of the group that he founds in 1981, a guy so angry and confrontational that he’s finally pushed out. But the internal politics reflect the culture at large—many of the most active members of the group (played by Taylor Kitsch, as the photogenic face of the gay men’s health group, Jim Parsons and Joe Mantello, who played Ned in the original stage production) still haven’t come out in public—and the fears that many have of creating a panic that will turn the public against them. Matt Bomer co-stars as Weeks’ boyfriend, a New York Times reporter who also hasn’t come out, and Julia Roberts is apparently the only doctor in New York City who is concerned with the still-unidentified disease. Most of these characters were based on people Kramer knew, friends and family alike, and some of these characters are dead before the film ends in the year 1985. Just like in real life.

It came to HBO after a successful stage revival but 30 years out of time it plays more like a period piece, removed enough from the immediacy of the crisis to really pour on the sense of outrage and fear, something that the earliest films to confront AIDS could never allow themselves to do. That outrage, and the committed performances of the cast, surely helped this feature earn its Emmy last night.

On Blu-ray and DVD with a nine-minute featurette on author Larry Kramer and the autobiographical roots of the original play. It sheds some interesting perspective on the personal dramas explored here. Also available as a Digital purchase and free for subscribers to HBO via Cable On Demand and HBO Go.

More new releases on disc and digital formats at Cinephiled

Aug 21 2014

Videophiled Classic: Otar Iosseliani’s ‘Favorites of the Moon’

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Favorites of the Moon: 30th Anniversary Edition (Cohen, Blu-ray, DVD), winner of the Special Jury Prize at the 1984 Cannes Film Festival, is a deadpan satire of modern life and social hypocrisy with characters, rich and poor alike, from a lively Paris suburb whose lives criss-cross and tangle with one another.

There’s a pompous police chief who spies on citizens and plays at high society sophistication, a jealous weapons expert who fixes handcuffs for Paris policemen and sells bombs to terrorists when he’s not stalking his girlfriend, a robber teaching his young son the business, a schoolteacher with a streak of anarchy, prostitutes, hobos, and others winding through the stories. Along with the location, the characters are connected by a painting and a set of fine porcelain dishes that were created in the 18th century and are sold, stolen, and otherwise passed around through the comic episodes.

There is no central story. It’s really more of a busy set of actions that wind back around and mirror each other in comic portraits of hypocrisy, and it is practically wordless for most of the running time, with few dialogue scenes and the action playing out as a cheeky silent comedy. It’s directed by Russian ex-patriate filmmaker Otar Iosseliani, who clearly prefers the streetwise criminals to the corrupt rich and middle-class folks, for they at least have no illusions about what they do. Co-writer Gerard Brach was a regular collaborator with Roman Polanski, Jean-Jacques Annaud, and Claude Berri, but this is more reminiscent of the later films of Luis Bunuel: densely-woven, satirical, whimsical, deadpan, and utterly savage in the way it undercuts the pretensions of its characters. The cast is a mix of professionals and non-actors, including the debut of future French screen star Mathieu Amalric.

In French with English subtitles, with commentary by film critic Philip Lopate, who seems to be winging it through the track. Clearly he’s a sharp critic who knows his subject, and he has some interesting insights, but it could have used a little more organization. Also comes with an accompanying booklet with and essay by Giovanni Vimercati.

More classic and cult films on disc at Cinephiled

Aug 19 2014

Videophiled: Jim Jarmusch’s vampire ‘Lovers’ and ‘A Brony Tale’

OnlyLovers

Only Lovers Left Alive (Sony, Blu-ray, DVD, VOD) is the richest film that Jim Jarmusch has made in some time. Tilda Swinton and Tom Hiddleston are the eternal lovers Eve and Adam, vampire soulmates who have become disenchanted with a world that the zombie inhabitants (their word for humans) are blithely poisoning. They are sophisticates, sensualists, artists, beings who find their greatest pleasure in one another, and Jarmusch suggests that they have evolved to a kind of elemental form, pure beings who revere art and beauty and just happen to need to feed on human blood to survive. The problem is that human blood is also being poisoned, which makes the pure “good stuff” a kind of rare wine that is saved and shared sparingly.

Swinton and Hiddleston bring both a grace and ennui to the screen, suggesting centuries of experience by their very presence, yet the joy they give one another enlivens the mournful tone of their nocturnal existence. In contrast to their languorous sensibilities is Eve’s sister, a wild child played by Mia Wasikowska with an insatiable appetite and an instinct for chaos, while John Hurt is the dying elder, poisoned by the world around him. Read the reviews here.

I did not receive a review copy but the discs should have a behind-the-scenes featurette and deleted and extended scenes.

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A Brony Tale (Virgil, DVD, Digital VOD) offers a gentle entry into the very real “Brony” phenomenon: adult fans of My Little Pony: Friendship is Magic, a group that is overwhelmingly male, heterosexual and unashamed of their love of a cartoon about pastel-colored talking horses designed for little girls. Our guide through this world is Canadian voice actress and singer Ashleigh Ball, who provides the voices of two little ponies in the current incarnation of the series, Apple Jack and Rainbow Dash. “The pervert alarm, for sure, went off in my head,” she says when she first learned about the subculture, and she takes a tour to investigate the phenomenon on her way to Bronycon 2012 in Manhattan, where she’s been invited as a guest of honor.

If you are expecting some kind of freak show, you’ll be in for a surprise. Director Brent Hodge is a friend of Ball and frames the film through her perspective and experience, which works because she’s a sincere, serious, likable young woman who finds that the Brony phenomenon is far more positive and affirming than surface appearances might suggest. The spokesmen for the Bronies (mostly men, which in this case is representative of the culture at large, though a few women are represented as well) make a fine case for themselves and celebrate the values of the series in their own lives. When we get to the Iraq vet and former artist who was lifted out of his depression and inspired to draw again because of his engagement with the series, you don’t feel like making fun of any of these fans anymore. A Brony Tale isn’t deep or probing but neither is it sarcastic or dismissive.

The DVD features director commentary, the featurette “The Many Voices of Ashleigh Ball” (which basically expands a sequence from the film where Ball performs the voices of her various cartoon gigs), a brief photo-shoot and an acoustic performance by Ball, whose band Hey Ocean! provides the film’s soundtrack.

More new releases on disc and digital formats at Cinephiled

Aug 14 2014

Videophiled TVD: ‘The Marx Brothers TV Collection’

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Shout Factory has been the greatest home video archivist of classic TV treasures in recent years and The Marx Brothers TV Collection (Shout Factory, DVD) is quite the treasure chest, as long as you understand exactly what this set offers. This is a potpourri of unusual projects and unexpected appearances by Groucho, Chico, and Harpo Marx on TV from the early 1950s to the early 1970s, from full-length programs to variety show skits to TV commercials, with the aging comedy stars both solo and teamed up (though all three are never together apart from one delicious surprise). And while none of these projects rival their best work on the big screen, there are genuine treats to be had. “The Incredible Jewel Robbery,” for instance, a 1959 episode of the half-hour anthology show General Electric Theater with Chico and Harpo as a heist team in what is essentially a silent movie comedy short for TV with music and sound effects but no dialogue. Harpo guest stars on the premiere episode of “The Red Skelton Hour,” playing a whimsical guardian angel and performing a comic pantomime duet. And Groucho takes his only dramatic TV role in another General Electric Theater episode, “The Hold Out” from 1962, with guest stars Brooke Hayward and Dennis Hopper.

While Groucho tried out different characters and comic personae in his many TV appearances and Chico toned down his screen personality to varying degrees and even broke character to some extent (on the BBC talk show Showtime in 1959 and the specialty show Championship Bridge with Charles Goren in 1960, plus a delicious turn on I’ve Got a Secret), Harpo was always Harpo. He never spoke. He does, however, lost the wig and hat and tooting horn, for “A Silent Panic,” a 1960 episode of The DuPont Show with June Allyson starring Harpo as a mechanical man in a department story window. Among the many other goodies, let me highlight the outtake reel from the final season of You Bet Your Life and the 22-minute collection of family home movies from all three brothers, narrated by Harpo’s son Bill Marx (who is also the executive producer of the set).

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Harpo Marx in 'The Great Jewel Robbery'

It comes with a 40-page booklet with an essay, photos, and an annotated program guide. And if you order directly from Shout Factory, you can get a limited special edition with an additional bonus disc and a poster.

More TV on disc and digital at Cinephiled

Aug 14 2014

Videophiled TVD: ‘Low Winter Sun’

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Low Winter Sun: The Complete Series (Anchor Bay, DVD) – Some of the most interesting American TV shows are, curiously enough, adapted from European programs. This one is adapted and expanded from a British mini-series starring Mark Strong as a police detective who conspires to kill a corrupt colleague and is then assigned to investigate the murder.

Strong reprises his role in the American version, made for the commercial cable channel AMC, this time as Detective Frank Agnew, a Detroit officer who conspires with the frustrated partner of a brutal detective to kill the bad cop and make it look like suicide. Lennie James is the partner in murder, Detective Joe Geddes, and as the perfect crime unravels they discover that they have their own motives and secrets and they simply do not trust one another, a situation that gets worse when Internal Affairs starts its own investigation. Meanwhile an upstart gang leader (James Ransone) and his wife (Sprague Grayden), a bar-owner who was once married to a Detroit cop, are muscling in on gangster territory with big plans and a small fortune in stolen cocaine.

The contemporary Detroit setting gives the show a desperate environment of poverty and collapse and Ernest Dickerson, who directed episodes of The Wire and Treme, sets a gritty style and grim atmosphere in the first couple of episodes. The show did not get renewed for a second season but it ends with an appropriately cynical closure that satisfactorily wraps up the story. I found it more compelling than I expected, with excellent performances and interesting characters who are trying to hold on to their souls as they get mired deeper in their compromising situations. But there is so much dark drama on TV that it sometimes gets to be too much and this is dark stuff.

10 episodes on three discs on DVD, with promotional featurettes and deleted scenes.

It’s also streaming on Netflix.

More TV on disc and digital at Cinephiled

Aug 12 2014

Videophiled: ‘Locke’ – The measure of a man

Locke

Locke (Lionsgate, Blu-ray, DVD, VOD), on its surface, sounds like one of the those high-concept / stunt thrillers and horror films that sprouted up like weeds a few years ago: one actor in a car, driving alone in a stretch of freeway at night, talking to the people in his life through phone calls (hands free, of course; the man is nothing if not responsible).

Except that Locke is not a crime drama or a horror film; there are no villains on his trail or masterminds toying with him by phone. Locke is about a man who, in the space of a 90-minute night drive from a construction site in Birmingham to a London hospital, makes a decision that defines his character and changes the course of his life forever. There’s no twist to the narrative, no shocking revelation, but the meaning of his journey is best discovered along the way as Ivan Locke (Tom Hardy)—husband, father, construction manager—explains it to his family and colleagues.

Tom Hardy is in the driver’s seat, literally and figuratively, for the entirety of the film, and there’s nothing showy in his measured, introspective journey. While those on the end of his phone calls–a wife on the verge of hysteria, nervous sons aware that something is wrong, a construction foreman suddenly promoted to take charge of the biggest concrete pour ever attempted in the UK—unravel at the news, Locke remains calming and deliberate while in conversation and struggles to hold himself together in between calls as he confronts the consequences of his decision.

British filmmaker Steven Knight wrote the tough, lean, uncompromising scripts for Dirty Pretty Things and Eastern Promises. Locke is just as uncompromising, but what’s at stake here is the measure of a man faced with a difficult decision. Knight finds ways to keep the journey from getting dull or claustrophobic with the camera finding new set-ups within the confined space of the car, watching Locke in reflection or lit up by passing cars and overhead lights; imagery that reminds us of the transience of his situation, a man alone in a river of anonymous travelers. But it’s the personal journey that makes Locke, a terribly human story about one man who refuses to shirk his responsibility no matter what it costs to his career, such and emotionally powerful drama.

Blu-ray and DVD with commentary by director / writer Steven Knight and the featurette “Ordinary Unraveling: Making Locke.” Also on Cable VOD.

More new releases on Blu-ray, DVD, Digital and VOD at Cinephiled

Aug 09 2014

Videophiled Classic: Kino Lorber Studio Classics

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The new Kino Lorber Studio Classics line follows the model that Olive initiated with its releases from the Paramount catalog. Kino’s licensing deal with MGM (the current MGM entity, which is largely made up of United Artists productions; the grand old MGM studio library belongs to Warner) gives them access to the new high-definition masters from a portion of the catalog as well as access to elements to create new HD masters, plus access to select supplements from previous disc releases. Kino has been expanding in the home video market in the last few years, striking releasing deals with Britain’s Redemption and producer Alfred Leone and distribution deals with Raro Video, Palisades Tartan, and Scorpion. This new deal, no surprise, was announced after Frank Tarzi left Olive, where he was the label’s head of acquisitions, and joined Kino. More than 40 releases have been announced through the end of 2014 via their dedicated Facebook page, with eight films rolling out in the first wave. I held my request to five discs and was (for the most part) well pleased with the quality I saw in these.

“Classics” is of course a fungible term, meaning everything from acknowledged masterpiece to practically anything more than 25 or 30 years old. The eight film of the first wave are largely plucked from the fifties and sixties, with a mix of acknowledged classics, award winners, and genre pictures. But for me, the highlights of the debut wave are two by Billy Wilder: Witness for the Prosecution (1957) and The Private Life of Sherlock Holmes (1970).

Based on the stage play by Agatha Christie, Witness for the Prosecution (Kino Lorber, Blu-ray, DVD) isn’t opened up for the screen so much as it is perked up with witty dialogue and wily characterizations, two strengths of Wilder and writing and producing partner I.A.L. Diamond. Charles Laughton plays the legendary barrister who defies doctor’s order and a heart condition to defend amiable but shiftless American Tyrone Power from a murder charge and Marlene Dietrich plays his German wife, a cool, suspicious character whose testimony seems to doom Power’s chances of acquittal. Of course, it’s a Christie plot so nothing is that simple, especially when incriminating letters are discovered, but the plot and the succession of twists is less interesting than the characters.

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Aug 05 2014

Videophiled: ‘Divergent’ does not diverge from the young adult formula

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Divergent (Lionsgate, Blu-ray, DVD, VOD), adapted from the young adult science fiction series written by Veronica Roth, is a metaphor without a physical or social reality convincing enough to make it worth investing ourselves in the story built around it.

It’s no fault of Shailene Woodley, who pretty much carries the film as the rebellious daughter in a society where you are defined by your clan. Her parents are Abnegation, which stands for the selfless, but Beatrice chooses Dauntless, the brave, rechristens herself Tris and jumps right into a warrior culture where her selflessness marks her for special treatment. It also rouses the attentions of the broody hunk Four (Theo James), who shares the same deep, dark secret that she does: her gifts straddle the factions, making her a danger to the Fascist Erudite clan. Because, as the film spells out for us, “If you don’t fit into a society, they can’t control you.” In this case, it turns out to be a literal form of control, which Tris rebels against and discovers an underground of like-minded rebels.

It’s all set in a ruined Chicago rebuilt after some unspoken apocalypse, protected from the dangers of the savage lands outside the walls. The plotting takes us through a familiar evolution of a character with a hidden gift who has to learn to get past preconceptions and take a stand for her convictions, but director Neil Burger and his crew fail to create a cast or a world around her to give the stakes any sense of power. That’s something that The Hunger Games gets right. The filmmakers have another film on the way to get it right so maybe they can take a cue.

Miles Teller is an angry Dauntless apprentice who feeds on the power and the violence of the competitive training environment, Maggie Q is the fringe artist who meets the rent by running the aptitude tests (think the Harry Potter sorting hat with sci-fi trappings), Ashley Judd and Tony Goldwyn are this society’s equivalent of the selfless, liberal, post-hippy parents who Tris thinks she’s rebelling against with the Dauntless immersion, and Kate Winslet gets to go all supervillain as the coldly calculating leader of the Erudite coup.

On Blu-ray and DVD with two commentary tracks (one by director Neil Burger, one by producers Douglas Wick and Lucy Fisher) and deleted scenes, plus an UltraViolet digital copy of the film. Exclusive to the Blu-ray release are two featurettes, “Bringing Divergent to Life” and “Faction Before Blood,” plus bonus a DVD.

More New Releases on Blu-ray, DVD, Digital and VOD at Cinephiled

Aug 03 2014

Videophiled Classic: ‘The Essential Jacques Demy’

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The Essential Jacques Demy (Criterion, Blu-Ray+DVD Dual-Format set) collects six features and a few early shorts from the Nouvelle Vague‘s sadder-but-wiser romantic. It’s not my intention to rate him against the movement’s most famous filmmakers – Godard, Truffaut, Chabrol, Rohmer, Rivette, Varda – but just to find his place among them. Like so many of his fellow directors, Rivette loved American movies, especially musicals, but his taste for American musicals and candy-colored romance was balanced with a bittersweet sensibility. For all the energizing music and dreamy love affairs, his romances more often than not don’t really get happy endings.

Criterion’s 13-disc set, one of their last to come out in the Blu-Ray+DVD Dual-Format, picks six of his defining films from his 1961 debut to his 1982 Une Chambre en Ville, which makes its American home video debut in this set, all transferred from restored and remastered HD editions.

Lola (1961) is a bittersweet musical without the music, lovingly shot in Demy’s hometown of Nantes in black and white CinemaScope by Nouvelle Vague master Raoul Coutard, and set to a lovely score by Michel Legrand. Anouk Aimee, whose appearance in lacy tights, boa, and top hat made her an eternal pin-up dream, is a single mother looking for the father of her child in the port towns of Nantes. As in so many of his films, Demy reveals himself as both eager romantic and sadder-but-wiser realist, and for all the dashed dreams of the film it still manages to have its swoony romantic fantasy come true.

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Jul 30 2014

Videophiled: A different kind of Biblical epic in ‘Noah’

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Darren Aronofsky takes a very different approach to the Biblical epic in Noah (Paramount, Blu-ray, DVD, VOD) a film both earthy and mystical. This isn’t the Old Testament prehistory we’ve seen before—Aronofsky draws from both Christian and Jewish religious texts to fill out the story (which is actually quite short in the Bible) and offers bleak, poisoned world before the flood quite different from the Mediterranean deserts and forests of previous films—and it accomplishes something quite powerful, vivid and unexpected as a result.

Russell Crowe is Noah as God’s moral man, the last of the faithful who lives his life as Earth’s steward. He keeps his family (wife Jennifer Connelly, sons Logan Lerman and Douglas Booth, daughter-in-law Emma Watson) away from Cain’s offspring (Ray Winstone as a brutal tribal warlord) and the despoilers of the Earth. The creator (as God is called throughout the film) doesn’t speak in the dramatic voice so familiar to other films. He communicates through visions and they are violent, confusing things that Noah must take on faith. Noah undertakes his task as a solemn duty, helped by a race of rock-like beings who were once angels that were cast out of heaven and anchored to Earth.

Ancient mythology and modern cosmology come together in the story of Genesis, told in Noah’s own words and illustrated with imagery reminiscent of Cosmos, a wedding science and religion in a way respectful of both. Even the Ark itself looks different than we’re used to, which is curious considering it is designed according to the dimensions specified in the Bible (see the infographic below for details on scaling the ark, the flood and other details). It’s an epic canvas for a human story and Aronofsky shows great respect for the faith of the source while taking a creative approach to dramatizing the story and the world.

On Blu-ray and DVD. Aronosky shot much of the film in Iceland to get that barren, blasted landscape and he explores the location in the featurette “Iceland: Extreme Beauty.” It’s exclusive to the Blu-ray editions of the film, as are two addition featurettes: “The Ark Exterior: A Battle for 300 Cubits” and “The Ark Interior: Animals Two By Two.” The Blu-ray also features bonus DVD and UltraViolet digital copies of the film.

More New Releases on Blu-ray, DVD, Digital and VOD at Cinephiled

Jul 29 2014

Blu-ray: ‘Jodorowsky’s Dune’

Film history is filled with legends and stories of what could have been great (or at least interesting) films but were never made for one reason or another. Such projects are all potential, giving fans the chance to dream of masterpieces that could have been without having to face the reality of compromise and transformation that happens in the real world of production. The documentary of the film that was never made is something of a recent phenomenon. Films like It’s All True, based on an unfinished film by Orson Welles (1993), Lost in La Mancha (2002) (about Terry Gilliam’s Don Quixote), and Henri-Georges Clouzot’s Inferno (2009) mourn what could have been but there is also something romantic in these grand, unrealized visions, of the filmmaker as Don Quixote taking on the studio windmills.

Few dreams are as grand as the adaptation of Frank Herbert’s Dune that was developed by Alejandro Jodorowsky, the creator of El Topo (1970), the original midnight movie, and The Holy Mountain (1973), two movies that mix myth, spiritualism, primal violence, and surreal imagery. These low budget films were underground success stories, playing to small but passionate audiences and achieving cult status, and Jodorowsky planned to follow them up with an epic far bigger and more ambitious than anything he had ever attempted before.

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