Inspired by the possibilities of DVD releases seen this year alone in terms of special editions and box sets, I put together an initial wish list of essentials I would like to see in the coming years and published the piece on GreenCine:
What a year we’ve seen for domestic DVD releases. Marvelous special editions of Breathless and I Am Cuba. A deluxe presentation of Berlin Alexanderplatz. The release of such long-awaited films as Killer of Sheep (an amazing 2-disc special edition), Ace in the Hole (Criterion, no less), Witchfinder General (in the uncut British version), and Duck, You Sucker (restored and reconstructed), just to name the first that come to mind. And new standards of quality and exhaustive completeness have been set with the sprawling, unprecedented box set Ford at Fox and Blade Runner: Five-Disc Ultimate Collector’s Edition.
And the hits keep on coming. Warner has been working on mastering elements for a The Magnificent Ambersons special edition for years (modest editions are already available in France and Britain) and Paramount is reportedly working on an extensive restoration of The African Queen. Criterion has a Max Ophüls set in the works (the only confirmed titles are Earrings of Madame de… and Le Plaisir, and perhaps La Ronde – I hope they add Lola Montès to replace the inferior Fox Lorber edition) and is considering the films of Kenji Mizoguchi (including Street of Shame and Life of Oharu), Shohei Imamura, and Mikio Naruse (either in Criterion editions or Eclipse box sets), not to mention all those Rialto re-releases. There are Lon Chaney classics, Forbidden Hollywood collections, Looney Tunes boxes, and sets of such series as The Saint and Falcon in the works, as well as the rollout of the entire Andy Hardy series (gosh, dad, that’s swell!).
Yes, we go on and on about what’s not yet on DVD, but it is not in spite of these releases that I offer my own dream list of DVD Special Editions and Box Sets. It is because I am inspired by their example to dream big. This is no fantasy of lost films found (like the 132-minute version of Magnificent Ambersons, the 40-reel Greed, or magically rediscovered prints of London After Midnight or Four Devils), but a modest proposal to pull out films from the vaults, restore and remaster them where necessary, and give them the presentation they deserve on DVD.
What kind of releases did I choose? Here’s my top pick in a “best of” list of my dreams:
1. Touch of Evil: The Ultimate Collection