Videophiled: Monty Python’s Swan Song (or, if you prefer, Dead Parrot) and Shirley Clarke’s ‘Portrait of Jason’
The title says it all: the five remaining Pythons (plus their favorite guest performer, Carol Cleveland) reunite for an encore, with Gilliam getting a little more involved than usual and a featured chorus member periodically joining in. You could say that Chapman is as much as a presence as could be hoped for, considering he died 25 years ago, but in fact he’s featured more than you would think possible, from the title of the show to classic film and video clips that bring him back into the ensemble (including some clips that showed in their first concert film, Monty Python Live at the Hollywood Bowl) or make him a link between live segments, as if he was still interacting with the old gang.
This isn’t a master class, it’s a reunion and we’ve been invited to watch the old gang fall back into old patterns. Between revivals of their greatest hits (with a few wink wink nudge nudge updates) are big song-and-dance production numbers out of an overblown Broadway revue, with young dancers and singers taking over to kick up the energy and provide the production value. The rest is nostalgia. They are nowhere near the top of their game but they are clearly having fun (they are just as funny when they forget their lines or lose their place, which happens a couple of time) and so is the audience. Everyone there seems to know the skits by heart and get a kick out of seeing these senior citizens revive their standards for one last go round.
There are a few supplements, notably behind-the-scenes clips from the initial reunion meeting, the official announcement, and highlights from the 10 shows (including all the guest star appearances), plus the raw footage that the Pythons shot for intermission breaks and other video screen announcements.Portrait of Jason (Milestone, Blu-ray, DVD), Shirley Clarke’s stream of consciousness character study of Jason Holliday, aka Aaron Payne, is a landmark of non-fiction filmmaking and LGBT cinema. Ostensibly part of the cinema verité movement, it straddles the line between documentary and performance art piece. Clarke shot her portrait of the gay black hustler as an all-night extemporaneous monologue and gave voice to a man who would otherwise never be heard in any media form in 1967. In his round coke-bottle glasses and collegiate blazer, Jason plays to the camera and skeleton crew (heard just off camera throughout but never seen), telling stories and doing impressions over the 12 hour session, which Clarke edited to just under two hours. It is an act, all performance and outsized personality, with Jason playing the raconteur and would-be nightclub headliner, and it’s not clear how much is true and how much flight of fancy and projection. But between his paroxysms of laughter, puffs of a joint, and endless glasses of vodka, he offers a glimpse of how one grows up and survives as a flamboyant queer in sixties America.
It’s a scruffy, raw film that got scuffed up over the decades and had never been released on home video in the U.S. until Milestone undertook “Project Shirley.” Portrait of Jason is officially “Project Shirley, Volume 2? but the first in the series to be released to Blu-ray and DVD. This restoration, built on materials found in worldwide search, recovers lost footage and visual detail but leaves the roughness of the 16mm shoot intact because Clarke treasured that gritty texture. And as with all of Milestone’s archival presentations, the discs are packed with invaluable historical bonus material, from outtakes to archival interviews with Clarke to the audio-only “The Jason Holliday Comedy Album,” a rarity that makes an astounding companion piece to the film.