Blu-ray: ‘Vampyr’ on Criterion

An early sound film shot with a distinctive and evocative silent film aesthetic, Vampyr (Denmark, 1932) is a horror movie as tone poem. Dialogue is sparse and large blocks of text (either intertitles or pages from a book of vampire lore) provide the exposition. It’s an eerily abstract film of vague motivations and ethereal imagery (exaggerated by the worn state of the source prints) from the opening scenes.

Criterion Collection

Our hero, Allan Gray (Julian West), is a vaguely interested in the supernatural, according the titles, but he walks into this cursed village like a dazed innocent whose walking tour (or perhaps butterfly hunt? he’s hoisting a large net over his shoulder) of the familiar countryside takes him into unfamiliar terrain, a cursed village that is, for all intents and purposes, isolated from the world. A villager with a scythe rings a bell on a misty lake as he arrives, already conjuring a feeling of death and portents of supernatural things to come.

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Blu-ray: French classics ‘The Love of a Woman’ and ‘Spotlight on a Murderer’ from Arrow

Jean Grémillon was one of the great French film directors of the golden age with a career that spanned from the end of the silent era through the late 1950s, but is one of the least known to American audiences and very few of his films are available in the U.S. (in fact, the only previous releases I’m aware of are three films on the Eclipse set Jean Gremillon During the Occupation). The Love of a Woman (France, 1953), his final feature, confronts a modern theme in the rural, conservative culture of an island community of sailors off the coast of France.

Arrow Academy

Micheline Presle is the new community doctor, a single, relatively young woman who must prove herself to a population suspicious of outsiders and a culture steeped in chauvinism. Massimo Girotti is an Italian engineer working on the island who challenges the provincial attitudes as he romances the doctor, but too is trapped in traditional views of marriage and forces her to choose: love or career. It takes on themes that were also being grappled with in American cinema after the war with a sympathetic portrait of women professionals in a culture that constantly challenges them to prove themselves and demands they sacrifice career for marriage. The choice is put into focus when the retiring schoolteacher, the doctor’s only real friend on the island, contemplates retirement as a spinster.

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Blu-ray: The CW Superhero Universe – ‘Arrow,’ ‘Flash,’ ‘Legends,’ and ‘Supergirl’

Part of the fun of the 21st century superhero shows is the effort put into worldbuilding. Not just the cast of characters but the entire ecosystem of the city, the attitudes towards heroes and villains from the civilians, and histories that hold sway over

The fun of the CW superhero shows—ArrowThe FlashDC’s Legends of Tomorrow, and (as of season two) Supergirl—is the way they’ve worked them into the same universe (or at least connected universes, in the case of Supergirl). You could say the same of the Marvel shows on Netflix, which exist in a tight, decidedly earthbound and mortal world confined almost entirely to New York City. They have a focus, more like a series of graphic novels in a shared universe, and their all-at-once release pattern emphasizes that unity. The CW shows, for better or worse, are more like monthly comic books, with stand-alone episodes like individual issues as well as ongoing story arcs and crossovers with sister series. They are looser, with more digressions, which can also mean more opportunities to play with the possibilities. And because they all roll out concurrently, they offer a possibility right out of the comic book world: stories crossing over from one series to another. This season offered a story that brought all four shows together.

The 2016-2107 seasons of all four shows are now available on DVD and Blu-ray (they were staggered over the past couple of weeks). One note that is applicable to all four shows: these set do not feature the episodes from the sister shows of the crossover stories so you’ll need all four sets to see the full story (though to be fair the Supergirl episodes offer little more than a few minutes of set-up for their portions of the stories). What each set does include is a featurette on the big crossover event (each one focused on the show’s POV).

Warner Home Video

The Flash: The Complete Third Season(Warner) of the most family friendly of the prime-time superhero show on TV opens with Barry Allen / The Flash (Grant Gustin) facing repercussions from his decision to save his mother’s life by changing history and his attempts to repair the results in a world bearing the scars of his actions. his girlfriend Iris (Candice Patton) is no longer speaking to her father Joe (Jesse L. Martin), Cisco (Carlos Valdes) holds a grudge against him, he’s working with a senior forensics scientist, Julian (Tom Felton, of the Harry Potter movies), who dislikes him, and he’s hunted by a new villain named Savitar. Meanwhile, Joe’s son Wally (Keiynan Lonsdale) develops speed powers and is mentored by Barry to become Kid Flash, and Caitlin (Danielle Panabaker) struggles against the villainous Killer Frost taking over her identity. You know, comic book melodrama.

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Blu-ray: DCU Heroes and Villains – ‘Gotham,’ ‘Lucifer,’ ‘Batman and Harley Quinn’

Superheroes dominate TV almost as much as they do the movies. They’re not quite the ratings blockbuster compared to the big screen spectacles but they are all over the TV schedule and streaming menus.

So it’s no surprise that anti-heroes and villains are taking center stage in more productions. Especially in Gotham, the story of life in Gotham City before James Gordon became commissioner and Bruce Wayne became Batman. It’s not just about the birth of a hero, it’s about the origins of the great Batman villains, with The Penguin and The Riddler taking central roles in the long-running saga. Here are three small screen releases featuring the villains and anti-heroes of the DCU in the spotlight.

Warner Bros.

Gotham: The Complete Third Season(Warner) opens with Gordon (Ben McKenzie) out of the police department and working as a lone wolf bounty hunter and PI and Oswald Cobblepot (Robin Lord Taylor), aka The Penguin, running for Mayor of Gotham City with the help of Edward Nygma (Cory Michael Smith), the man who will become The Riddler. It also continues the education and training of young Bruce Wayne (David Mazouz) under the guidance of Alfred (Sean Pertwee) and influence of street-smart teenage thief Selina Kyle (Camren Bicondova).

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Blu-ray: Wonder Woman

Wonder Woman (2017) is, if you’ll pardon such an obvious comment, a wonder of a superhero movie, a film that doesn’t transcend the genre but most certainly sets a high bar, especially next to the ponderous, humorless films of the new big screen universe of interconnected DC Comics heroes.

Warner Home Entertainment

Gal Gadot debuted as Amazon princess warrior Wonder Woman in the turgid Batman v Superman: Dawn of Justice and brightened the film immediately. The spirit we glimpsed there carries this origin story, which sends us back to the 1910s and the hidden island paradise of the Amazons inadvertently invaded when American pilot Steve Trevor (an earnest yet spirited Chris Pine) flies past the invisibility field and crash lands on the beach, the first man ever to set foot on the island. Diana is intrigued to say the least but more compelled by news of a world at war and, after the inevitable assault by German forces after Trevor, is convinced of her purpose: stopping the god Ares from destroying all of mankind through warfare. She leaves the island against the wishes her mother (Connie Nielsen, commanding and regal). Steve’s not so convinced of that stuff about ancient gods and eternal Amazons but he has no doubt as to her abilities as a warrior or her commitment to justice and he knows a valuable ally when he meets one.

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Blu-ray: ‘E.T.’ at 35 from Universal

E.T. The Extra-Terrestrial (1982), Steven Spielberg’s suburban fairy tale for kids who think they are too hip to believe in fairies, turns 35 with a new E.T. The Extra-Terrestrial 35th Anniversary Limited Edition (Universal) plus additional Blu-ray, DVD, and 4K Ultra HD editions.

Universal Pictures Home Entertainment

Henry Thomas is Elliot, an emotionally bruised kid suffering under his parents’ separation who finds and bonds with another lonely, lost soul, a benevolent alien left behind when his spaceship leaves. “I’m keeping him,” says Elliot, but meanwhile an army of government men search for him. As E.T. grows homesick and just plain sick. Elliot and friends need to help get E.T. home.

It’s a fantastical adventure with a grounding in the modern suburbia of divorce and adolescent anxiety, and E.T. is the ultimate imaginary playmate come to life. Part pet, part best friend, part guardian angel with an emotionally symbiotic connection to Elliot, this funny looking stranger in a strange land (think of a squat, mutant teddy bear with lizard skin and monkey fingers and voice between a growl and a purr) is a wizened old grandfatherly being with the trust and playfulness of a child.

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Blu-ray: Jackie Chan begins in ‘Snake in the Eagle’s Shadow / Drunken Master’ from Twilight Time

Snake in the Eagle’s Shadow / Drunken Master (Twilight Time)

Twilight Time

Boyish, baby-faced Jackie Chan trained at the famed Peking Opera Academy, had an early career as a stunt man, supporting player and fight choreographer in scores of Hong Kong films, and was unexpectedly chosen as “the next Bruce Lee” in a series of stiff, serious revenge adventures. This misguided attempt almost ended his shot at stardom before it began; Jackie’s charms have everything to do with his outgoing personality and self-deprecating humor, and an acrobatic fighting style schooled in Chinese Opera. After a series of super-serious action film flops his career was practically written off. Then producer Ng See Yuen paired the young performer with director Yuen Woo-ping for a pair of films that played up his strengths. The rest, as they say, is history.

In Snake in the Eagle’s Shadow (Hong Kong, 1978), Jackie plays a menial servant in a school for martial arts who saves the life of an aged vagrant (director Yuen Woo-ping’s father Yuen Siu-tin, aka Simon Yuen), who just happens to be a martial arts master on the run. Cut to training sequence, toss in the sight gags, and unleash Jackie’s Chinese Opera style. It was the first time that Jackie got to display his gymnastic martial arts style and his facility for physical humor and it was a success, which of course demanded an immediate follow-up.

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Blu-ray: It Comes at Night

The title of It Comes at Night (2017) sets certain expectations. What exactly comes at night? But the survival thriller from writer/director Trey Edward Shults, set sometime after the ravages of an unnamed and unexplained plague have ripped through the cities and sent survivors into the isolation of the wilderness, isn’t about monsters (human or otherwise) who hunt in the dark. It’s more insidious than that, which is what makes it so unsettling and unnerving.

Lionsgate

Our first image is of man, diseased and unable to speak, expiring as figures hidden behind gas masks try to comfort his passing. It’s both tender and alienating, a teary farewell turned mercy killing by terse, protective Paul (Joel Edgerton) and his wife, Sarah (Carmen Ejogo), and their 17-year-old son, Travis (Kelvin Harrison Jr.), and Shults continues directing in that vein. Everything is off-balance, the familiar always on edge. Their country home in the lush green forest has been boarded up and turned into a fortress, the gentle days are under constant threat of pillager and armed invaders, and the nights are plunged in isolation where every sound is a potential attack. So when they catch a man breaking into their home (which, to anyone on the outside, appears abandoned), they have to make a choice whether to believe Will (Christopher Abbott) when he says he’s just trying to find water and shelter for his wife and young son.

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Silents Please! – ‘Beggars of Life’ with Louise Brooks, ‘Varieté’ from Germany, and more

Catching up on some of the silent films released to Blu-ray and DVD in the past months…

Beggars of Life (Kino Lorber)

Kino Lorber

William Wellman was one of the most versatile directors of his day, making everything from comedies and musicals to gritty dramas and war movies, and his World War I epic Wings (1927) won the first Academy Award for Best Film, but in the late 1920s and 1930s he directed some of the most interesting films about struggles before and during the depression. Beggars of Life(1928) was made before the stock market crash but released in the aftermath, so while it’s not technically a response to the Depression, its portrait of hoboes riding the rails and forming a kind of outsider society was in tune with the times. Today, however, it is best known for Louise Brooks, the petit dancer turned actress who never became a star in America in her lifetime but starred in two great German silent films, Pandora’s Box and Diary of a Lost Girl, and became a cult figure in retirement.

Brooks is Nancy, a young woman who kills her violent stepfather in self-defense (presented as a flashback, it’s a startling and powerful scene which Brooks underplays with haunting pain), and Richard Arlen is Jim, a boyish beggar who stumbles across the body and helps her escape. He dresses her in men’s clothes and teachers her how to ride the rails with the rest of the tramps on the road, landing in a rough hobo camp where Oklahoma Red (Wallace Beery) rules through intimidation. Figuring out that this delicate “boy” is actually a girl (and seriously, who was she fooling?), he claims Nancy as his property and puts the couple through a kangaroo court, a great scene that straddles comedy and horror. Beery delivers a big, blustery performance as he transforms from predator to protector, the handsome Arlen at times he reminded me of a young Paul Newman, and Brooks is incandescent in her best role in an American films (she immediately left for Europe to make the movies that made her reputation).

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Blu-ray: ‘Alien: Covenant’

You may recall Prometheus with both awe and astonishment, a film with astounding moments of beauty and horror and brilliance bumping up against stupidity and sloppiness and half-baked ideas. Alien: Covenant (2017), the second film in the Alien prequel series, takes place a decade after the events of Prometheus (2012) and continues writing the xenomorph origin story with a new cast of potential hosts (a colony ship with a population on ice waiting to wake on a new world) put through a plot that borrows elements from both Prometheus and the original films. It’s a smarter film, and if it never quite matches the conceptual and visual genius of Prometheus at its best, neither does it slip into the foolishness of its worst moments.

20th Century Fox Home Entertainment

This is the sixth official film (we’re ignoring the Alien vs. Predator films) in what is becoming a galaxy-spanning franchise, the second film in the prequel story, and the third directed by Ridley Scott, director of the original film. It opens with the skeleton crew awakening early, just as it did in Scott’s original Alien, and sending a search party down to a nearby planet sending out a distress signal, which this time is a verdant world teaming with plant life but, eerily, no animals or insects or birds. What it does have are the insidious spores of Prometheus (also directed by Scott) which colonize the unlikely humans as hosts for this alien life form, and a lone humanoid living in the ruins of a dead civilization: David (Michael Fassbender), the android of Prometheus who walks the wasteland like a rogue prophet and makes contact with the human team.

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Silents Please! – A ‘Knighthood’ for Marion Davies

I’d always known Marion Davies is one of the most gifted comediennes of the silent era, thanks to her collaborations with King Vidor, The Patsy (1928) and Show People (1928), two magnificent comedies carried by Davies’ charisma and empathy as well as her easy way with comedy, and readily available on DVD thanks to the Warner Archive. But she became a superstar thanks to a series of costume pictures produced by newspaper mogul William Randolph Heart, who fell in love with the chorus girl and was determined to showcase her in “important” pictures.

Undercrank Productions

When Knighthood Was in Flower (1922) was her biggest production to that time. She plays Mary Tudor, 16-year-old sister to King Henry VII (Lyn Harding) and a spirited princess in love with commoner Charles Brandon (Forrest Stanley), an impossible given the realities of royal diplomacy. She’s promised to the aged King Louis XII (William Norris), a wizened old monarch who wins the marriage lottery. There’s pageantry galore—vast sets, a big cast, and plenty of elaborate period costumes—and a lot of plot packed into the two-hour picture. It opens on a jousting match (talk about your sweet sixteen party games!) and it features back room scheming, secret trysts, swashbuckling swordplay in the streets, a magnificent royal wedding, and plenty of comic flourishes. It co-stars an impossibly young William Powell (in his second film) as a cad of a royal nephew, and ends with a grand nighttime set-piece with knights and royal guards galloping through the French countryside and torches handpainted bright yellow that jump out from the blue tints of the black and white production.

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Blu-ray: Sacha Guitry’s ‘La Poison’ on Criterion

Actor, director, and playwright Sacha Guitry was a giant of French cinema as writer, director, and star of a series of witty and inventive movies from the 1930s through the 1950s. For his weirdly exuberant black comedy La Poison (1951) he gives the lead to the great Michel Simon, who plays a gruff bear of a gardener who has come to hate his wife of 30 years and plots her murder while she (Germaine Reuver) plots his. When he hears a radio interview with a lawyer (Jacques Varennes) celebrating his hundredth successful acquittal, he uses the lawyer to (unwittingly) guide him through the perfect murder. Perfection here is a matter of degree, of course. He doesn’t mind being caught. He just wants to remain free to enjoy his life as a merry widower.

The Criterion Collection

Guitry’s cinematic invention is less visual than narrative. He has a flair of creative storytelling and verbal dexterity and most of his films are energized by his presence in the leading role. While Guitry is not the in film itself, he personally introduces the cast and crew like a master of ceremonies in the memorable credit sequence, then steps back and lets his witty dialogue and creative storytelling techniques speak for him. The radio broadcasts commentary and counterpoint to their wordless meals together, for instance, an effusively romantic song as their body language suggests suppressed violent impulses followed by a radio play of bickering spouses voicing their internalized feelings.

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