Elvis and the Death of the American Dream, Through Movies

Elvis Presley is ostensibly the subject of The King, Eugene Jarecki’s expansive road movie of a documentary. The award-winning director drives Presley’s 1963 Rolls-Royce across the US, from Mississippi and Memphis to Nashville, New York, Las Vegas, Hollywood, and elsewhere, talking to historians, musicians, members of Presley’s inner circle, and everyday Americans. Elvis centers the film but is also a starting point for a much more wide-ranging discussion of the state of American life, and that discussion takes off in all directions. That Jarecki began his odyssey in the months leading up the 2016 election and ended up on the other side of it only adds fuel to the discussion.

Not of political identity, mind you, but of America itself. Elvis is the touchstone that centers it all, with Jarecki using his life and legacy as both a roadmap for the cultural odyssey and as a metaphor for the state of contemporary America.

And at the heart of the film is the question: Is the American dream dead, a victim of greed, excess, and increasing isolation?

Continue reading at Independent Lens

Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.