Samuel Fuller writes and directs Fixed Bayonets! (Kino Classics, Blu-ray), a Korean War platoon drama set in snowy winter mountains. The small-scale production focuses on a small squad of American soldiers ordered to hold a mountain pass while their division retreats and stars Richard Basehart as Corporal Denno, a soldier who can’t bring himself to fire his rifle at the enemy and bristles at the thought of taking command, and Gene Evans as Sgt. Rock, a grizzled veteran who passes on his wisdom to Denno as senior officers are killed and he becomes the highest-ranking officer. Their only hope is to create the illusion of a much larger force hidden in the mountains and Rock has a few tricks up his sleeve. It’s the story of ordinary men rising to the occasion when the situation demands. Fuller draws on his service as a soldier in Africa and Europe in World War II to create the platoon dynamics (the squad is filled with all sorts of types) and the tactics and battle action. The entire film is shot on soundstages, with sets recreating the snow-covered mountains and forests and the caves in which the soldiers take refuge. It makes for a film small in scope and scale and more suggestive than realistic, and the artificial setting gives the film a kind of abstracted, theatrical quality that eschews sentimentality and melodrama for a blunt portrait men facing death that come suddenly and arbitrarily. James Dean is an uncredited extra but he’s hard to pick out.
Debuts on Blu-ray with commentary featuring film historian Michael Schlesinger with Christa Lang Fuller and Samantha Fuller, the widow and the daughter of Sam Fuller.
The Enemy Below (Kino Classics, Blu-ray), a World War II submarine drama based on the novel of the same name by Commander D. A. Rayner, stars Robert Mitchum as Captain Murrell, the newly-appointed commander of an American Destroyer in the South Atlantic, and German star Curd Jürgens making his American film debut as Commander Von Stolberg, a German submarine commander whose mission is imperiled when the American warship gives chase. Murell is not a career Navy man—he was a merchant seaman before the war—and his unconventional tactics have the crew questioning his experience, but they rally under his command and they rise to the challenge of their first major enemy action. Directed by Dick Powell in a deliberate (at times plodding) manner, the film offers its share war movie action but the focus is on the battle of wits, a kind of chess game played with torpedoes and depth charges, with the two captains attempting to outwit the other by anticipating one another’s movies. David Hedison and Theodore Bikel co-star as the respective second officers. The 1957 feature has enough distance from the war to sidestep patriotic themes to present two officers dedicated to duty with dignity and respect for their respective crews. It won an Academy Award for its special effects and inspired the 1966 Star Trek episode “Balance of Terror,” with the Starship Enterprise recreating the role of the American Destroyer and a Romulan warship playing the submarine.
Debuts on Blu-ray with no supplements.
Bill & Ted’s Most Excellent Collection (Shout Select, Blu-ray) gives the special edition treatment to a pair of cult slacker comedies. In Bill and Ted’s Excellent Adventure (1989), Keanu Reeves and Alex Winter are the high school underachievers and would-be rocker stars who are destined to save the world with their music, or so claims their most excellent fan from the future, a time-travelling sage named Rufus (George Carlin). But first they have to pass high school history and learn to play their instruments. Directed by Stephen Herek, this is spirited doofus comedy sustained by the sweet, slack-jawed performances of Reeves and Winter as dumbfounded idiots who stumble through time to cram for their history final with the help of a time-traveling phone booth that allows them to round up Napoleon, Abraham Lincoln, Genghis Khan, Joan of Arc, Beethoven, and Socrates (among others) and bring them back to suburban California. Their finest moment: a meeting of minds with Socrates (whom they call “Soh-craits”) over a soap-opera proverb. “Like sands through the hour glass, so are the days of our lives.”
Peter Hewitt takes the reigns for the inspired sequel Bill and Ted’s Bogus Journey which is even sillier and funnier. Reeves and Winter are killed by evil robot doubles and sent to hell, where they play Twister with the Grim Reaper (a hilariously deadpan William Sadler with an indeterminate accent) and draft him into their band Wyld Stallyns (where the Grim Reaper goes show-biz with a vengeance). Wacky and weird and nonsensical, it’s hardly satire but the sheer invention of their ludicrous journey will have most dudes rolling on the floor. Both are rated PG and each film features two new commentary tracks: one featuring actor Alex Winter and producer Scott Kroopf, the other with writers Chris Matheson and Ed Solomon
A third disc includes the new documentaries “Time Flies When You’re Having Fun! – A Look Back at a MostExcellent Adventure” (61 minutes) and “Bill and Ted Go to Hell – Revisiting a Bogus Journey” (52 minutes), both featuring new interviews with Keanu Reeves, Alex Winter and co-writer Chris Matheson, among others. Carried over from the earlier DVD edition are the 30-minute “The Most Triumphant Making-of Documentary” (with Winter, writers Matheson and Ed Solomon, directors Stephen Herek and Peter Hewitt, and producer Scott Kroopf), the 20-minute interview featurette “The Original Bill and Ted: In Conversation with Screenwriters Chris Matheson and Ed Solomon,” plus “Score! An Interview with Guitarist Steve Vai,” “Hysterical Personages: A History Lesson” (on the historical characters on Excellent Adventure), “The Linguistic Stylings of Bill & Ted” (on their particular slang), and an air guitar tutorial by Bjorn Turoq and the Rockness.
The Captive (1915) (Olive, Blu-ray, DVD) – Cecil B. DeMille helped established Hollywood as the center of American filmmaking in the 1910s and long before he made his reputation with a series of salacious comedies and a selection of grandly-mounted Biblical epics, he was cranking out a dozen films a year. This is one of those films, a short feature (running under an hour) that he produced and directed in 1915 from a play he wrote with his longtime collaborator Jeanie Macpherson.
Set in Montenegro during the Baltic Wars, it features early silent movie superstar Blanche Sweet as a Balkan farm girl left to tend the family farm and raise her kid brother when her elder brother is killed in battle against the Turks. House Peters is a Turkish POW who is assigned to work her farm and defends her from invading Turkish soldiers. The simplistic drama recreates the Balkin setting in California and DeMille directs in a straightforward manner that essentially illustrates the intertitles. Blanche Sweet is charming as the plucky farm girl who teaches her captive to do laundry and plow a field and House is handsome, chivalrous, and gentlemanly, the all-American boy as Turkish aristocrat in a fez that looks as authentic as a Shriner’s cap. File it under historical curiosity, an example of the unsophisticated storytelling that was old-fashioned within a year thanks to the impact of D.W. Griffith and by DeMille’s own rapid evolution as a filmmaker.
Though the packaging claims it was thought lost, it was actually discovered in the Paramount Vault in 1970 and was subsequently preserved by the Library of Congress. Still, it’s never been on home video in any form so this is the first chance most audiences have to see the film. No supplements.