Jeppe Rønde’s Trueness to Life, and Death

‘Bridgend’

Bridgend is a horror film, but not in the traditional sense. The horror is that the events of Bridgend, a rural county in South Wales, occurred in real life and continue to do so. Between January 2007 and February 2012, at least seventy-nine suicides were reported in this small county, most of them teenagers, most of them by hanging. They left no suicide notes and, though the media have suggested some kind of suicide pact or death cult, to this day there is no explanation.

Danish filmmaker Jeppe Rønde spent six years traveling back and forth from his home in Denmark to Bridgend, getting to know the people and letting them get to know him. The locals had a deep distrust of outsiders because of years of tabloid reporters exploiting their tragedy, but they opened up to Rønde. Their stories and experiences became the core of his script—though he was a documentary filmmaker by profession and practice, he chose to channel their stories into a dramatic feature—and they even allowed him to shoot the film on location in Bridgend. Many of the kids he got to know appear in small roles in the film.

“When you read that seventy-nine hung themselves in the end of the film, that’s the only official number I could use. The problem is it’s a lot higher,” he explained. “The kids tell me every time one dies and we hear about it in the news, there were two or three that were kept out of the public eye. And on top comes all the people that tried to do it but failed. Sometimes it was several a day, over months, in such a small community.”

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Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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