My list this year is light on foreign movies, largely because I didn’t get out to as many festival screenings as I have in past years, and because many of the foreign language films placing highly on other lists have not opened in this corner of the world.
1. Boyhood (Richard Linkater, US)
2. The Grand Budapest Hotel (Wes Anderson, US)
3. Inherent Vice (Paul Thomas Anderson, US)
4. Gone Girl (David Fincher, US)
5. Under the Skin (Jonathan Glazer, UK)
6. Only Lovers Left Alive (Jim Jarmusch, US)
7. Ida (Pawel Pawlikowski)
8. Manuscripts Don’t Burn (Mohammad Rasoulof, Iran)
9. The Babadook (Jennifer Kent, Australia)
10. A Girl Walks Home Alone at Night (Ana Lily Amirpour, Iran/US)
And because this film turns it up to 11. Snowpiercer (Bong Joon Ho, US / South Korea / France / Czech Republic) – high concept science fiction thrillers are always best when serving as metaphors for sociopolitical commentary. Amiright?
More honorable mentions (in alphabetical order: Force Majeure (Ruben Östlund, Sweden), The Homesman (Tommy Lee Jones, US), The Immigrant (James Gray, US), John Wick (Chad Stahelski and David Leitch, US), Locke (Steven Knight, UK), A Most Violent Year (J.C. Chandor, US), Nightcrawler (Dan Gilroy, US), Night Moves (Kelly Reichardt, US), The Strange Little Cat (Ramon Zürcher, Germany), We Are the Best! (Lukas Moodyson, Sweden), What Now? Remind Me (Joaquin Pinto, Portugal)