There’s no shortage of independent horror filmmakers but Larry Fessenden is the filmmaker who puts the emphasis on the “indie” part of the equation. As a writer/director, he’s take the classic horror genres and turned them inside out. No Telling was his take on Frankenstein as an environmental drama, Habit, a vampire story set in the drug addict culture of New York City, Wendigo, a monster movie of myth and imagination and The Last Winter, an eco-twist on the ghost story in the culture of big oil. Plus, in addition to his own directorial efforts, Fessenden has produced or co-produced dozens of films, including Kelly Reichardt’s Wendy and Lucy and Night Moves, Ti West’s The House of the Devil and The Innkeepers, and Jim Mickle’s Stake Land, through Glass Eye Pix, his own production shingle.
Beneath, Fessenden’s latest, is a fish story: six teens stranded in a rowboat in the middle of the lake without a paddle while a giant man-eating catfish prowls the water waiting to eat his way through the buffet. What begins as a classic horror film, complete with teenagers who do all the dumb, reckless, aggressive things seemingly designed just to get them stuck in the water, transforms into an insidious character piece that strips away all pretense of humanity and lays bare the envy, resentment, spite and animosity they’ve been burying all this time under snarky remarks and dirty looks. Though it was made as a horror film for a cable channel, it plays more like an American indie drama: Mamet in a boat with a teenage cast and a seriously savage portrait of survivalism at all costs. On the occasion of the release of Beneath on Blu-ray and DVD a few months back, I spoke with Fessenden about the film, his career as a director and a producer, his support of independent filmmaking of all genres and why he’s still so committed to making his brand of horror cinema.
Keyframe: Beneath is the first feature you’ve directed that is not from your own script. Why this project and why the cable channel Chiller?
Larry Fessenden: As you know, I am also a producer and I went there to pitch some of my directors and just to get in with the channel. It seemed liked a fun proposition to produce a film through Chiller. They had money and they were ready to make some original features, and I went through some of the projects that I thought were interesting that we had lined up and they said, ‘Well, those sound good but we also have this,’ and they pulled out this script and I read it and I said, ‘Well I want to do this one, because I love the fish genre, I love how contained the story is, and if you guys are willing, I’d like to try my hand at it.’ I’ve never been a snob about how the work is done. I did another TV show written by some dudes. That was called Skin and Bones [for the series Fear Itself] and it’s one of my better pieces. It’s always exciting to take something and adapt it and put your spin on it and see how you come out. Like doing a cover song.