Man in the Dark (1953) could be the working title of many a film noir, a genre that routinely casts shadows (literal and figurative) over its characters. In this case, the title is something of a pun, as criminal Steve Rawley (stolid, sturdy noir regular Edmond O’Brien) volunteers to undergo experimental brain surgery to curb his criminal tendencies and emerges with his personality softened and his memory gone. But it’s not quite a clean slate. Rawley’s past comes back in the form of an insurance investigator (Dan Riss) suspicious of the wonder cure and his former partners, who know nothing of his treatment. Rawley masterminded a payroll heist and hid the haul right before he was nabbed, money which was never recovered. When his old partners stumble onto his new situation, they bundle him off to their hideout to get their share. They aren’t taking “I don’t remember” for an answer, but when working him over doesn’t get any results, his former girlfriend Peg (Audrey Totter) tries to seduce it out of him. When it becomes clear to them that he’s telling the truth, they keep him captive to help sleuth out the location.
A remake of the 1936 crime melodrama The Man Who Lived Twice, this version takes the story of amnesia into urban noir territory. O’Brien spouts tough-guy wisecracks until he emerges a kinder, gentler soul (he turns to painting flowers during his recovery), Ted de Corsia does thug duty as the gang’s heavy (Horace McMahon and Nick Dennis, the va-va-voom mechanic of Kiss Me Deadly, fill out the crew), and the investigator turns out to be a mercenary soul in his own right.