DVD: ‘You Ain’t Seen Nothin’ Yet’

In the opening scenes of You Ain’t Seen Nothin’ Yet, a roll call of France’s most celebrated actors of stage and screen from the past four decades are contacted with the sad news of the passing of a playwright, the author of an updated reworking of Orpheus and Eurydice.

The playwright, Antoine d’Anthac, is fictional, the creation of real-life French playwright Jean Anouilh in the play Cher Antoine ou l’amour rate, which director / co-screenwriter Alain Resnais drafts to stand in for Anouilh as the author of his play Eurydice. The actors are real – among them Mathieu Amalric, Pierre Arditi, Sabine Azéma, Anne Consigny, Hippolyte Girardot, Michel Piccoli, and Lambert Wilson – playing fictionalized versions of themselves. In this incarnation, they have all appeared in productions of Eurydice on the Paris stage and have been invited to the playwright’s country mansion for his wake, which in this case is a posthumous request to watch a fresh interpretation performed by a young company to judge whether they are worthy of staging a new production.

You could call it a film within a play, or a play within a film, but neither really captures the Russian nesting doll quality of the deft merging and doubling of the two arts. I see it as living theater meeting the cinematic imagination of Alain Resnais, who wraps Anouilh’s two plays around one another for a new creation.

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