Why John Carpenter Is the Most Underrated Filmmaker Of Our Time

About a decade ago while I was attending the Vancouver International Film Festival, I ended the screening day over beers with a small group of critics. By the end of the evening, we came around to proclaiming John Carpenter the most underrated American filmmaker of our time. Here’s a filmmaker who has made only one feature in the past decade, the low-budget The Ward, yet his legacy is getting more respect than ever — at least on home video. In 2013 alone, he’s had six films debut on Blu-ray and one remastered in a gorgeous new edition, reason enough to revisit his legacy.

Assault on Precinct 13 (Shout Factory, due November 19), Carpenter’s first feature out of film school, is a siege thriller inspired by Rio Bravo that plays out like Night of the Living Dead (which Carpenter readily acknowledges in the disc supplements). He’s very much the film aficionado sharing his love — he’s more at home referencing other movies than striking out into his own cinematic world — but he brings a sturdy professionalism to the budget-starved production and an impressive storytelling intelligence to the script and direction (where actions speak louder than quips). And for all the exposition of the attack motivation, he turns his marauding street gang into an almost inexplicable force of single-minded purpose.

All that potential blooms in Halloween (Anchor Bay).

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