Cult Watch: ‘The Raid: Redemption’ – Extreme Action with a Brutal Edge

The Raid: Redemption (Sony) – Set almost entirely in an apartment building in the slums of Jakarta, this extreme action film from Indonesia already has a reputation as one of the fiercest, most brutal crime thrillers around.

It’s a well-earned reputation.

Directed by Gareth Huw Evans, a Brit (actually Welsh) in Asia, and starring martial arts professionals in the lead roles, this is a meeting of Western and Eastern action cinema, a savage portrait of cops and crooks in a culture of criminal Darwinism built on a ruthlessly simple plot and a fiercely stripped-down style.

A strike force is sent in to an apartment building populated by criminals and protected by the kind of arrogant underworld kingpin that populate such movies. When the cops enter, the kingpin offers a reward to any inhabitant who takes out the intruders. The body count is epic. The action is assaulting. Survival in this film is as much a matter of endurance as skill: these guys take beating after beating and get back up for the next round.  You may wince so hard that you end up with sympathy bruises.

“The Raid: Redemption” has the choreography of the grittiest gangster thrillers from the Hong Kong action heyday of the nineties and the whiplash moves of Sammo Hung (in his prime) and Tony Jaa, but it ups the ante on the brutality and culture of corruption. Stars Iko Uwais (our upstanding hero, who has a pregnant wife at home but won’t give up on his comrades), Joe Taslim (the stalwart team leader), and Yayan Ruhian (the berserker building enforcer, appropriately named Mad Dog) are all martial arts professionals and serve as fight choreographers on the film, giving it an impressive variety of moves.

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Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website ( I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View ( I've written for The Seattle Post-Intelligencer, The Seattle Weekly,, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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