Classic: The Original ‘Invasion of the Body Snatchers’

Invasion of the Body Snatchers (Olive) – The original version of the oft-filmed science fiction horror is still the most insidious alien invasion film ever made. This is an invasion from within. Small town family doctor Kevin McCarthy returns to his small California coastal community from an out-of-town trip to find everything just a bit off: friends and family suddenly become “other,” emotionless beings that trade personality and joie de vivre for ruthless efficiency. This loss of emotion is set against the growing romance between McCarthy and Dana Wynter, who pull together as they stumble across the corpses of unformed people (a weird mix of plant and person) and become isolated within the transforming community. Director Don Siegel transforms the atmosphere for sunny and open to dark and claustrophobic as the humans become a kind of hive mind.

Other alien invasion films were about life and death, but this is far more insidious: it’s about loss of soul and self, and the desperation to hold on as doppelgangers were grown to take their place. The film coined the phrase “pod people” and has been called a metaphor for the repressive conformity of both Communism and McCarthyism in the fifties. That it works for both readings, and remains resonant for every generation (substitute urban alienation or emotional suppression), is testament to its genius and its power. “You’re next!”

This is one of the first releases in Olive’s exclusive arrangement with Paramount to distribute the Republic Pictures catalog on Blu-ray and DVD – “High Noon” also debuts today — and Olive gives both films their respective Blu-ray debuts.

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Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website ( I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View ( I've written for The Seattle Post-Intelligencer, The Seattle Weekly,, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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