The 10 Best Reasons to Celebrate the Seattle Film Scene in 2011

For Seattle cinema lovers, 2011 was a good news/bad news year. For the bad, there was the May closure of the Columbia City Cinema and the February conversion of the Neptune into a music and events hall. The empty Uptown reminded us of another neighborhood theater with history gone dark. And the rush to digital projection in the minimally manned multiplexes left too many screens getting dimmer because of 2-D digital prints run through 3-D splitters (no, it’s not your eyes going bad) and more digital prints replacing 35mm screenings of classic films. But let’s not forget the good. Here are the 10 best reasons for movie-loving Seattleites to celebrate this year.

1) SIFF saves the Uptown! And in the same year the Seattle International Film Festival left its McCaw Hall time-share for its own year-round theater/permanent headquarters at Seattle Center. The Uptown deal came together more quickly (over the past year), and its October reopening gave SIFF four screens with both film and digital capabilities. Two blocks apart, the two venues will expand local access to the kinds of foreign, art-house, and independent films that other cities can experience only on Netflix and VOD.

2) The Cinerama 70mm Festival. Paul Allen just gave his pet movie palace a costly new renovation, and brought in independent management (Greg Wood of Portland’s Roseway Theater) to replace national operator AMC. So while it can and does show big blockbusters and digital 3-D, the Cinerama celebrated its makeover in September with 16 days of 70mm and Cinerama prints of classic films (the original high-def). Change is inevitable, but every movie lover deserves to see the texture and color of actual film.

Continue reading at  Seattle Weekly

Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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