‘Rise of the Planet of the Apes’ – All Hail Caesar

Part prequel, part reboot and part reimagined origin story, The Rise of the Planet of the Apes (Fox) is not simply a revival of a beloved seventies series that took a serious dive into high kitsch. It’s a terrific character piece, a gripping prison break thriller with a wicked high-concept twist and the smartest action movie of 2011.

Andy Serkis will probably once again be ignored come Academy Award time, but his incarnation of Caesar, an ape with boosted intelligence (thanks to an experimental drug) raised as a member of the scientist’s family, is one of the top performances of the year. The fur and the primate musculature is all computer animation but the body language and facial expressions and personality is all Serkis, the man in the motion capture suit, and he gives us an evolution of character worthy of Spartacus or Moses: He leads his people to freedom, and he does so by watching, learning, understanding and taking command as a compassionate leader.

Simply put, Caesar is more dense and complex than any of his human co-stars (including James Franco as the revolutionary — or is that evolutionary? — scientist, Freida Pinto and John Lithgow) and grounds the high-concept idea in a character you can’t help but root for.

For such a clever and satisfying piece of science fiction writing (don’t blame apes for the rise, it’s all due to human hubris and recklessness) it has its logical gaps (how can a high-tech lab of animal testing and trials miss a pregnant test subject or let a human exposed to an experimental drug walk out of the facility with dangerous symptoms without even a check-up?), but they get forgotten in the thrill of the story.

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Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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