Tron: The Original, The Legacy, The Deluxe Editions

Tron 2.0

Tron: Legacy (Disney) is a videogame of a movie that is, in fact, about characters living inside a computer world that has transformed cyberlife into a despotic realm where life is a (mostly fatal) videogame and the losers of the digital bread-and-circuses are “derezed.” Garrett Hedlund is the ostensible hero, the bad-boy genius son of Kevin Flynn (Jeff Bridges’ character from the first film) who follows his missing father’s trail right into the matrix. But the real draw, outside of flashy but soulless effects, is the return of Bridges himself as a grizzled guru hermit living in exile outside the core and (thanks to digital scrubbing) an ageless, creepily artificial cyberversion of himself that has turned himself (itself?) into a ruthless dictator eradicating all forms of life in the grid.

The original Tron was groundbreaking in its day for visualizing computing culture in an era before home computers, point-and-click operating systems, and cyberspace, and for using rudimentary computer animation to create the computer imagery… or at least most of it. Director/writer Steven Lisberger came from an animation background and resorts to old-school tools and simple animation to enhance the live action shooting and computer effects. And for all the dazzle of the cybercycles and sailships and glowing game characters, it’s a pretty simplistic film: the first videogame movie. Which is to say it takes inspiration from the imagery of arcade games of the era and then creates its own conceptual world out of the cues. Just not a particularly deep one.

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Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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