Lars von Trier’s Antichrist: No Good, Just the Bad and the Beautifully Ugly

Antichrist (Criterion)

I’m not sure how I manage to keep my simultaneous fascination with /repulsion for Lars von Trier in balance, but it’s back with a vengeance in Antichrist (Criterion), another provocation that is at once beautiful and perverse, personal and cynical, and filled with his sour vision of the emotional small-mindedness (small-heartedness?) of the human animal. This one, a portrait of marriage as a morass of anger, suspicion and power after she (Charlotte Gainsbourg) falls into a pit of suicidal depression and he (Willem Dafoe), a psychiatrist, takes personal charge of her treatment in a rural escape called Eden that von Trier twists into a diseased hell: paradise rotted.

Antichrist: Sex and Death

It all turns on the death of their infant child, which crawls through an open window and falls to its death while the parents are occupied in a slow-motion ballet of aggressive, feral sex. Anthony Dod Mantle is back behind the camera delivering Von Trier’s now familiar art-house look of carefully composed and stunningly sculpted establishing shots and framing sequences (like the B&W prelude of sex and death in the whisper of falling snow) while handheld photography takes us through the cover art frame and into their psychodrama.

Yeah, von Trier is nothing if not provocative and he throws it all at us here: a coldly controlling husband who can’t seem to draw a line between treatment and experimental psychotherapy, a fragile wife who slips into darkness and latches onto his projections of her “cruelty” to embrace her inherent “evil,” a natural world mutated into a Bosch image. He is most comfortable when in control and passing judgment and she rebels by becoming the very force of evil that men have accused women of being (as witches and temptresses and demons) for centuries. I’m fascinated by his work but I rebel against his misanthropic vision of mankind and human relationships.

The Criterion DVD and Blu-ray release features commentary by von Trier and professor Murray Smith, who engages him to explain and explore his approach and intentions (who talks mostly about the physical aspects of production), plus video interviews with von Trier and actors Willem Dafoe and Charlotte Gainsbourg, seven short production featurettes, a featurette on the Cannes premiere and press conference footage, plus a booklet.

Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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