Al Capone on TCM

Le Scarface

The 1959 gangster biopic Al Capone, starring Rod Steiger as the man they called Scarface (but not to his face), plays on TCM this month as part of its “All-Stars of Prohibition” festival.

Al Capone (1959), starring celebrated Method actor Rod Steiger as the most notorious mobster in gangland history, was the most ambitious entry in the genre. Produced by Allied Artists, a small but ambitious studio specializing in lurid, punchy low-budget genre pictures, and efficiently directed by Richard Wilson, a former assistant to Orson Welles, this B&W film is not lavish by the standards of the glossy Hollywood spectacles but it delivers period recreations and bustling scenes on a small budget. The visual approach owes as much to television and the semi-documentary style of the popular TV series The Untouchables (which also had a significant hand in the gangster revival) as to the old studio gangster pictures. The spectacle is not in the scope of the sets or locations, but in the brutal blasts of violence and the larger-than-life incarnation that Steiger brings to Capone on his rise from loyal, ambitious, opera-loving thug to the top dog in the Chicago syndicate, ruling the South Side with fear, intimidation and machine gun diplomacy.

The stocky, serious Steiger had a fortuitous resemblance to Capone but it’s his volatile performance that defines the character. The real life Capone was a celebrity gangster, living and working openly, proclaiming himself “just a businessman,” and was always in the media lens. Steiger plays him as a thug dictator, putting on a show of power and money and social ambition as if trying to prove himself to the world while resentment seethes beneath the tailored suits and mannered public front. “He was, to me, a showman, an actor,” Steiger explained in an interview with New Yorker writer Helen Ross. Robert De Niro’s Capone in The Untouchables (1987) has echoes of Steiger’s performance.

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Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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