Get Lost

Lost: The Complete Sixth and Final Season / Lost: The Complete Collection (Disney)

The very definition of high-concept television, this addictive survival series turned metaphysical mystery is arguably the most successful and certainly the most richly and deeply woven show of its kind. What began as an exotic Gilligan’s Island through The Twilight Zone turned into a mind-bending show with supernatural echoes and conspiratorial hints and a web of flashbacks that ingeniously turned into flashforwards and, in the final season, “flash sideways” story of characters lives in a world where the island never existed. But first, a little backstory.

Lost: The Last Season

Season One opens in the aftermath of a plane crash on a deserted tropical island where (we come to discover) a polar bear lives, a rumbling monster crashes through the jungle, a distress signal emanates from the hills, and person or persons unknown continue to keep their presence hidden… for the time being. Matthew Fox is the ostensible star as Jack, the doctor who steps up as group leader in the first episode, but it quickly settles in as a dense ensemble show with characters who have vivid backstories: tough, raven-haired beauty Kate, whose fair looks hide a rough outlaw past (Evangeline Lilly), con man Sawyer (Josh Holloway) who hides his bitterness under a country-boy voice and a suspicious smile, Iraqi communications specialist and Gulf war veteran (he fought on the other side) Sayid (Naveen Andrews), steely survivalist John Locke (Terry O’Quinn), who has a mystic, one might say miraculous, connection to the island, pregnant single mother-to-be Claire (Emilie de Ravin) running from a fortune-teller’s prophecy, washed-up rock star and heroine addict Charlie (Dominic Monaghan), Korean couple Jin and Sun Kwon (Daniel Dae Kim and Yoon-jin Kim) with mob connections and no English skills (or do they?), easy-going Hurley (Jorge Garcia) and others: spoiled Shannon (Maggie Grace) and her protective brother Boone (Ian Somerhalder), single dad Michael (Harold Perrineau Jr.) and his son Walt (Malcolm David Kelley). That doesn’t count the passengers who come and go, pass away, or simply suddenly appear (beware islanders who aren’t on the ship’s manifest!).

The journeys of key passengers are wrapped in the island mysteries: a prophecy, a “lucky” code with unlucky aftershocks, a crippling condition cured. Co-creator and show godfather JJ Abrams uses these supernatural echoes and conspiratorial hints to keep the show shrouded in a tantalizing mystery, but he finds the most interesting mysteries among the marvelously sculpted characters themselves and he spends the season exploring their pasts in flashbacks.

Season Two begins with the opening of the hatch and the introduction of a whole new mythology involving “The Dharma Initiative,” but that’s just the beginning of the complications. The rescue mission scuttled at sea washes ashore and discovers more crash survivors on the other side of the island, barely alive after being picked off by “the Others,” who continue their raids and infiltrations. It’s not just a matter of loading in mysteries and twists in each episode, though there is plenty of that. There is a resonance to the personal stories revealed in the flashbacks of each episode and a fascinating layering of wonders and terrors that give the unexplained phenomenon an elemental quality. Season Three revolves around weird tale of “The Dharma Initiative” and the cult that has been fostered and controlled by the manipulative Ben (Michael Emerson), and the battle for survival that pits the two groups against each other, and sometimes against themselves. It’s still strangely addictive, but by this point it’s lost the freshness of that first season and started losing fans as well as viewers became impatient waiting for producers/writers/showrunners Damon Lindelof and Carlton Cuse to start knitting these threads into a coherent pattern before long.

Season Four opens with the arrival of a rescue ship (with its own sinister agenda, of course), and closes with the most dramatic twist in the series to date. In between, the tangled show that drifted off course in season three gets back on track with dynamic shifts in character alliances (did anyone foresee Sawyer’s reluctant rise to leadership?) and a dramatic change in style: the defining flashbacks are replaced by flash-forwards, which tease us with glimpses of the characters who make it off the island yet are still inexorably tied to it. And after spending four seasons trying to get off the island, Season Five find the few souls who made it back to civilization spending their energy trying to get back while those left behind get tossed through time and manipulated in a power struggle that reaches beyond our mortal coil and we are brought closer to the Cain-and-Abel mythology of immortals/gods/mythic watchers Jacob (Mark Pellegrino) and his brother, referred to only as Man in Black (Titus Welliver, and subsequently morphed into various different actors), who have been pulling the metaphysical strings of fate and chance to bring our heroes to the island and struggle over their souls and their allegiances.

And thus we come to Lost: The Complete Sixth and Final Season, debuting on DVD and Blu-ray, both as an individual volume or as part of the epic Lost: The Complete Collection. And here the story finally does come together as a modern myth, complete with a search for the next hero at the heart of the world and a “Last Temptation” offshoot (the aforementioned “flash-sideways”) that explores what-if lives of the Oceanic passengers and other characters tangled in the Lost mythology if the island had never existed. Dead characters returns and some active characters have completely different lives—Sawyer, for instance, is no con man but a Los Angeles police detective and Daniel Faraday (Jeremy Davies) is a musician, not a physicist. Is it a dimensional rift caused by the nuclear explosion, sending the characters off into a different reality, or something different? (You’ll have to watch it yourself for that explanation.) Meanwhile, in the island prime they fumble for meaning and direction, with Jack giving up leadership out of frustration for his failures, Sawyer filling the void and Hurley proving he has the strength of his convictions. Characters are tempted to their worst instincts while given opportunities for selfless action and heroes arise even as they fall.

Taken as a whole, stumbles aside, this is the most satisfying epic tale of its kind on TV (and no, The Wire is not “of its kind,” by which I mean fantasy/science fiction/metaphysical epic). Battlestar Galactica didn’t have a lot of strength to its final season, Babylon 5 landed victim to a cancellation scare that completely threw off its pacing, Farscape crammed a final season into a far-too-short mini-series and The X-Files unraveled years before it stumbled to a close with a last-ditch effort to knit together the conspiratorial threads that had long since frayed. The explanations of the final season could never meet expectations created in the first five, but the character journeys and dramatic payoffs and opportunities for redemption give us (mostly) satisfying character closure as well as narrative neatness, while still leaving plenty of mystery to the powers behind the players and the moves of this marvelous narrative construct. Metaphor aside, it’s no chess game (though the narrative architecture does suggest some kind of elaborate role-playing fantasy at times, as well as a secular mythology). It’s a story, and these guys were able to tell it the way they wanted to. Which is rare enough on network television.

Disney really knows how to put together a special edition DVD for the show and Lost: The Complete Sixth and Final Season is no different. Along with the 16 episodes (including the super-sized finale) on five discs are a number of well-made featurettes—”Crafting the Final Season,” a 33-minute piece with guest creators Shawn Ryan, James Brooks and Stephen J. Cannell (among others) joining the Lost writers and producers on discussing closure on TV shows in general and Lost in particular, plus the 9-minute “A Hero’s Journey” (discussing the characters in relation to Joseph Campbell’s conception of the hero through myth and religious stories), the 8-minute “See You In  Another Life, Brotha” (exploring the “flash sideways” narrative of the final season) and “Lost on Location” (28 minutes of behind-the-scenes featurettes specific scenes and settings, like the Temple, the Los Angeles of the alternate reality, the Black Rock ship and the sinking submarine). But the most anticipated supplement is the new 12-minute “The New Man In Charge,” not so much a new chapter as a coda to the finale created by Damon Lindelof and Carlton Cuse and featuring Michael Emerson, Jorge Garcia and a few surprises (including more Dharma Initiative training film).

The deluxe Lost: The Complete Collection features the entire run of the show on 35 discs (organized by season, each in a simple but handsome paperboard folder) with all of the original supplements (and they are a substantial collection of extras through the seasons) in a hefty box, plus a new episode guide and some cool collectibles, including a ‘Senet’ game board and pieces (but no instruction sheet; you’ll have to rewatch the Season Six episode it was introduced in to get the rules), a relief island map on the underside of the case lid, a collectible Ankh, and a black light penlight. An exclusive bonus disc hidden in the package (I’m not allowed to say where, but it’s pretty cleverly hidden—the publicists were even forbidden to tell the reviewers where it was and it took me some time to crack the packaging puzzle box) features the 40-minutes”Letting Go: Reflections Of a Six-Year Journey” (with cast members revisiting the locations and discussing their long, strange trip) and a collection of featurettes with cast and crew remembrances, behind-the-scenes footage, a tour through the prop museum (squirrel baby!) and 40-some minutes of “Lost Slapdowns,” comic confrontations between fans/cast members and creative godfathers Lindelof and Cuse, with questions about the show’s mysteries and characters paths in the final season answered with tongue-in-cheek retorts.

Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website ( I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View ( I've written for The Seattle Post-Intelligencer, The Seattle Weekly,, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

2 thoughts on “Get Lost”

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.