Screw This Happily Ever After Stuff. I can’t take credit for the great title. It came from my interview with Eddie Muller which I put in the feature (who wouldn’t use such a great quote?) and the editors at The Stranger pulled it out as the headline. But I’ll take all the reflected glory. The piece is part preview, part introduction, part portrait of programmer Eddie Muller, and it was a pleasure to write.
Here’s an excerpt from the feature:
What I appreciate most about Noir City is that it favors rarities and rediscoveries over the canonized classics. Muller pairs The Postman Rings Twice, easily the glossiest studio noir ever made, with He Ran All the Way. Both feature John Garfield, but where he smolders with restrained lust for platinum blond siren Lana Turner in the former, he’s all jittery paranoia as a small-time hood who shoots a cop and takes a working-class family hostage in the latter. In He Ran All the Way, director John Berry scuffs up the emotions until they’re raw and frayed and then closes in, creating a pressure cooker that pushes everyone to the edge of unraveling. And like most of the films in the series, it’s not on video.
The Noir City Seattle series begins Friday, February 19 and plays for a week of double feature presentations. I’m going to see as many as I can.