JT Petty on The Burrowers and horror on the frontier

The Burrowers, JT Petty’s minor key take on the horror western, arrives direct to DVD on April 21. I interviewed JT Petty, the director, for Parallax View.

Clancy Brown and William Mapother in The Burrowers
Clancy Brown and William Mapother in "The Burrowers"

Why a horror western?

I’m always trying to get a little bit outside the genre. I think people who watch scary movies now are such a sophisticated group of watchers. We’re probably the first generation that takes multiple viewings for granted, that you can see anything as many times as you want to see it. We’re sort of the video generation and the twenty-year-olds now just assume they can see anything they want anytime they want as many times as they want. So what’s already been done, we’ve seen so many times that I think it’s hard to actually scare people inside that framework. So once you get a little outside the genre, you can hopefully surprise people again.

What makes the combination of western and horror so resonant for you as a filmmaker?

A lot of it is just they’re two of the most cinematic experiences that you have watching a movie. If a horror movie does well, it’s entirely because of the direction, it’s classically not the performance. All the things that do make a horror movie pornographic also make it exceptionally cinematic. If you have a well directed horror movie with a crappy story and bad actors, it can still be a pretty awesome horror movie. And to some extent, the same thing with the western. All of those spaghetti westerns with dubbed voices and obvious cartoonish characters but have this amazing cinematic strength to them still resonate. So I guess horror and western movies are both, in a very specific way, the most cinematic movie you can make. Is that a fair statement to make?

Read the complete interview here.

Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I’m a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I’ve written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View.

I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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