‘Near Dark’ – There’s a Price for the Night

Kathryn Bigelow pumps American blood into vampire lore

They hunt by night, picking off stray hitchhikers, wandering loners and anyone else unlucky enough to stray into their path. They keep to back roads and lonely towns of the American Southwest. They are a feral clan, more a pack than a gang. They are family. And they feed off the blood of humans.

Bill Paxton hates it when they ain't been shaved

To call Kathryn Bigelow’s Near Dark a vampire Western is to miss the poetry and the power of her uniquely American reworking of the classically European horror genre. The word “vampire” is never uttered in the film. There is no lore of crosses and garlic and holy water, only the searing threat of the sun, which burns through them like acid. They only know that they are eternal, they are nearly invulnerable and they hunger.

Adrian Pasdar is the blue-eyed young cowboy Caleb, a dreamer yearning for something beyond his family farm. Jenny Wright is the mysterious Mae, the doe-eyed beauty with the faraway look and the honey voice whose little-girl-lost charms lure him into her arms. She bites, but not to feed. She turns this beautiful boy into a night dweller like her, to become her companion and lover, to join the pack that is her family: Lance Henriksen’s scarred Civil War-survivor of a stern dad, Jenette Goldstein’s soiled peroxide blonde with maternal instincts, Bill Paxton’s wild-man big brother and Joshua Miller’s eternal little brother trapped in the body of a child.

Near Dark is both ferocious and lyrical, a moody horror film with the frontier community romanticism of a John Ford Western and the violent ferocity of a Sam Peckinpah film. The night scenes have a stiletto crispness to them, as if seen through the heightened senses of the nocturnal hunters, and the days have a foggy haze of innocence lost. The horror is laced with dark humor (“I hate it when they ain’t been shaved,” drawls Paxton after gorging on a particularly scruffy redneck) as well as the pulsing attraction between Caleb and Mae, but Bigelow never shies away from the animal savagery of their predatory nature.

Near Dark is about family and blood in the most primal sense: the blood that feeds, the blood that binds, and in this new chapter of vampire lore, the blood that heals. Bigelow infuses the European myth with fresh blood from a uniquely American vein.

Originally published as part of the MSN “Cadillac of” series.

Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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