‘The Wild Bunch’ – Blasting the Western Conventions

“If they move … kill ’em.”

This line of dialogue, delivered by veteran outlaw Pike Bishop (William Holden) to his gang just before they rob a bank in a dusty frontier town, comes in the midst of the opening scene as preamble to the credit that reads, “Directed by Sam Peckinpah.” That’s not just a screen credit, that’s a director making an entrance onto the cultural landscape. It’s a threat, a dare, a provocation and an outlaw oath: These desperadoes are taking no prisoners, and neither is Peckinpah.

Holden’s aging Pike, abetted by his loyal lieutenant, Dutch (Ernest Borgnine), leads a ruthless gang of gunmen and killers made up of familiar veteran character actors (Warren Oates, Ben Johnson and Edmond O’Brien as the obligatory philosophical old coot) and new blood (courtesy of Jaime Sanchez and, briefly, Bo Hopkins as a decidedly psychotic young gun). Lying in wait for them is Pike’s former partner and one-time best friend, Deke Thornton (Robert Ryan), sprung from prison by corporate bankers to put a stop to Pike and his gang.

The Wild Bunch blazed onto theater screens in the era of Bonnie and Clyde, when genre conventions were being blasted away and directors pushed the boundaries of what was once considered “acceptable.” Peckinpah, ever the irascible maverick, rode roughshod over every unspoken rule of on-screen violence in his portrait of mortality in the savage life of an outlaw.

The film’s opening robbery-turned-ambush is a bloodbath the likes of which had not been seen before on American screens, a spurting blast of pulp and poetry choreographed into a ballet of violence. Thornton doesn’t bother hiding his disgust with his scurvy, squabbling mercenaries (among them Peckinpah favorites Strother Martin and L.Q. Jones), who don’t care who gets hit in the crossfire as they compete for bounty. A lot of critics didn’t bother hiding their disgust, either, and the film was met with a storm of controversy.

But the film is also an elegiac epic set on the twilight of the frontier, a romantic spin on the myth of “honor among thieves” played as an apocalyptic saga of friendship and loyalty in a world where such notions have lost their currency. “When you side with a man,” says Pike, “you stick with him,” for better and for worse. In The Wild Bunch, both outcomes take place in a blaze of righteous, bloody glory.

Originally published as part of the “MSN Cadillac” series.

Author: seanax

I write the weekly newspaper column Stream On Demand and the companion website (www.streamondemandathome.com). I'm a contributing writer for Turner Classic Movies Online, Keyframe, Independent Lens, and Cinephiled, and the editor of Parallax View (www.parallax-view.org).. I've written for The Seattle Post-Intelligencer, The Seattle Weekly, GreenCine.com, Senses of Cinema, Asian Cult Cinema, and Psychotronic Video, among other publications, and I am a contributing editor to Parallax View. I currently live and work in Seattle, Washington, with my two cats, Hammet and Chandler.

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