Twenty five years after Ridley Scott‘s visionary reworking of Philip K. Dick’s novel flopped at the box office (and was subsequently reborn as one of the pre-eminent cult movies of the past three decades), Scott delivers what he promises is his final take on the compromised classic.
The ultimate release of Blade Runner is the release of the week. I’m still going through the discs – the epic 3 1/2 hour documentary is astounding, the outtakes and deleted scenes are cut together into a kind of narrative, a stranger alternate universe companion film with completely different credits and a completely different narration by Ford. I’ll be writing about this in more detail later on this site.
The big-screen debut of America’s favorite yellow-skinned family plays like a supersized episode with gags crammed into every verbal and visual nook and cranny of the wide-screen format and an afterthought of a story…. It’s as puckish and irreverent as the television show, but with PG-13 parameters (resulting in, among other things, an inspired gag sprung during Bart’s naked skateboard ride through town), awfully funny and fairly unmemorable.
Also new in this week’s column: Once (“the sweetest little musical of the year”), Eastern Promises (which arrives on DVD on December 23), and new special editions of The Evil Dead and Martin Scorsese’s New York, New York.
Also new this week is my tribute to the fictional history of rock and roll: the Greatest Bands that Never Existed.
The alternative history of rock ‘n’ roll is filled with class acts: The Swanky Modes, Steel Dragon, the Luminaries, and who could forget the upstart grrrl group the Stains? Most people do forget … because these bands don’t exist outside of the movies. In fact, there’s a veritable alternative history of rock ‘n’ roll that only exits in film. Many nonexistent bands are bad; many are surprisingly good; some are downright inspired.
If you’re a fan of Strange Fruit, The Venus in Furs, The Bang Bang, and Max Frost and the Troopers, then this is for you. If you haven’t heard of these bands, then jump in:
5. The Venus in Furs
Big-screen appearance: “Velvet Goldmine”
Musical definition: Glam rock redux
Signature song: “The Whole Shebang”
Liner notes: Jack Slade became the poster boy for androgyny rock and “the first true dandy of rock” in his taboo-busting phase as the flamboyantly bisexual singer/songwriter fronting the Venus in Furs. His career never recovered from the staged assassination at a concert and he disappeared, possibly into a new persona.
Behind the music: Todd Haynes recreates the pop-culture earthquake of glam rock with a fictionalized take on David Bowie‘s Ziggy Stardust phase (incarnated by Jonathan Rhys Meyers with a pouty, androgynous pose and a fabulous wardrobe), directed as a cheeky tribute to “Citizen Kane.” The period-perfect music was created by members of Radiohead, Mudhoney, Sonic Youth and Ron Asheton of the original Stooges.